Bugs, faults, and writing

Kindle Cover - Half Sick of Shadows
Kindle Cover – Half Sick of Shadows

Today’s blog looks at bugs – the little things in a system that can go so very wrong. But before that – and entirely unrelated – I should mention that Half Sick of Shadows is now available in paperback form as well as Kindle. You can find the paperback at Amazon UK link, Amazon US link, and every other Amazon worldwide site you favour. So whichever format you prefer, it’s there for you.

So, bugs. In my day job I have to constantly think about what can go wrong with a system, in both small and large ways. No software developer starts out intending to write a bug – they appear, as if by magic, in systems that had been considered thoroughly planned out and implemented. This is just as true of hacking software, viruses and the like, as it is of what you might call positively motivated programs. It’s ironic really – snippets of code designed to take advantage of flaws in regular software are themselves traced and blocked because of their own flaws.

Cover - I, Robot (Goodreads)
Cover – I, Robot (Goodreads)

But back to the practice of QA – finding the problems and faults in a system thought to be correct. You could liken it, without too much of a stretch, to the process of writing. Authors take a situation, or a relationship, or a society, and find the unexpected weak points in it. Isaac Asimov was particularly adept at doing this in his I, Robot series of stories. At the outset he postulated three simple guidelines which all his robots had to follow – guidelines which rapidly caught on with much wider audiences as the “Three Laws of Robotics”. These three laws seemed entirely foolproof, but proved themselves to be a fertile ground for storytelling as he came up with one logical contradiction after another!

But it’s not just in coding software that bugs appear. Wagon wheels used to fall off axles, and I am told that the root cause was that the design was simply not very good. Road layouts change, and end up causing more delays than they resolve. Mugs and jugs spill drink as you try to pour, despite tens of thousands of years of practice making them. And I guess we have all come across “Friday afternoon” cars, tools, cooking pans and so on.

1947 bug found and taped to the engineering logbook (Wikipedia)
1947 bug found and taped to the engineering logbook (Wikipedia)

Bugs can be introduced in lots of places. Somebody thinks they’ve thought up a cool design, but they didn’t consider several important features. Somebody thinks they’ve adequately explained how to turn a design into a real thing, but their explanation is missing a vital step or two – how many of us have foundered upon this while assembling flat-pack furniture? Somebody reads a perfectly clear explanation, but skips over bits which they think they don’t need. Somebody doesn’t quite have the right tool, or the right level of skill, and ploughs on with whatever they have. Somebody realises that a rare combination of factors – what we call an edge case, or corner case – has not been covered in the design, and makes a guess how it should be tackled rather than going back to the designer. Somebody adds a new feature, but in doing so breaks existing functionality which used to work. Somebody makes a commercial decision to release a product before it’s actually ready (as a techie, I find this one particularly frustrating!)

And then you get to actual users. So many systems would work really well if it wasn’t for end-users! People will insist on using the gadget in ways that were never anticipated, or trying out combinations of things that were never thought about. A feature originally intended for use in one way gets pressed into service for something entirely different. People don’t provide input data in the way they’re supposed to, or they don’t stick to the guidelines about how the system is intended to work – and very few of us read the guidelines in the first place!

Timing Kindle cover
Timing Kindle cover

All of which have direct analogies in writing. Some of my books are indeed focused on software, and in particular the murky business of exploiting software for purposes of fraud. That world is full of flaws and failures, of the misuse of systems in both accidental and deliberate ways. But any book – past, present or future – is much the same. A historical novel might explore how a battle is lost because of miscommunication, human failings, or simply bad timing. Poor judgement leads to stories in any age. Friction in human relationships is a perennial field of study. So the two worlds I move in, of working life and leisure, are not really so far apart.

Now, engineering systems, including software engineering – have codes and guidelines intended to identify bugs at an early stage, before they get into the real world of users. The more critical the system, the more stringent the testing. If you write a mobile phone game, the testing threshold is very low! If you write software that controls an aircraft in flight, you have to satisfy all kinds of regulatory tests to show that your product is fit for purpose. But it’s a fair bet that any system at all has bugs in it, just waiting to pop out at an inopportune moment.

As regards writing, you could liken editing to the process of QA. The editor aims to spot slips in the writing – whether simply spelling and grammar, or else more subtle issues of style or viewpoint – and highlight them before the book reaches the general public. We all know that editing varies hugely, whoever carries it out. A friend of mine has recently been disappointed by the poor quality of editing by a professional firm – they didn’t find anywhere near all the bugs that were present, and seem to have introduced a few of their own in the process. But just as no software system can honestly claim to be bug-free, I dare say that no book is entirely without flaw of one kind or another.

Life elsewhere – for real and in fiction

Artist's impression of an exoplanet (NASA/Caltech)
Artist’s impression of an exoplanet (NASA/Caltech)

A few days ago there was an international conference held at Stanford University, at which dozens of scientists gathered to discuss how current instruments might be fine-tuned to scour nearby planetary systems for the signs of life. This in itself is a huge step forward from the situation in my teens. Back then, although people were still landing on the moon, probes to explore other planets were somewhat hit and miss, and the only thing we could do about other planetary systems was speculate. I remember earnest debates about the probability that planets might be reasonably common, but solid information was totally lacking.

Three recently confirmed planets - artist's impression (NASA/Caltech)
Three recently confirmed planets – artist’s impression (NASA/Caltech)

Then in 1992 the first planet outside our solar system was confirmed, by means of the small variations in light as it moved periodically between us and its star. Such planets are now called exoplanets, and known ones range in size from smaller than Earth, to much larger than Jupiter. The count has continued to climb, and we now recognise around 3500 of them, with another 1000 or so candidates being evaluated. The optimistic estimates of the past were correct – it seems that planets are everywhere. The search has steadily refined, and has now moved from the basic question of “are there any planets?”, through to the more subtle issues of “what are they like?” and “could anything live there?” Some are (in stellar terms) very close, including at least one circling Proxima Centauri, the nearest star to us.

Cover, The Black Cloud (Goodreads)
Cover, The Black Cloud (Goodreads)

Science fiction writers have swayed in both directions. EE (Doc) Smith was lavish in his depiction of extraterrestrial life, especially in his Lensman series in which multitudes of planets teemed with intelligent life forms of huge variety. Asimov, on the other hand, assumed a galaxy which had planets for sure, but with essentially no life other than humans. I have read that this was because John Campbell, the editor of the magazine he contributed to – Astounding Science Fiction – was hostile to the idea for both scientific and literary reasons. Be that as it may, Asimov painted an empty universe throughout his life, and in his extensive writings hardly ever touched on the chance of meeting alien life.

In general, authors have tried to think across the whole spectrum of alien response. Fred Hoyle’s Black Cloud described a life form which was scarcely even aware that planetary life was possible. Solaris (by Stanislaw Lem, spawning two films) was based around a sentient ocean, and the rather unpredictable responses of people encountering it.

Cover, War of the Worlds (Goodreads)
Cover, War of the Worlds (Goodreads)

Well known first-contact films have, as a rule, dwelt on the possibility that aliens would be hostile. Starship Troopers, Independence Day, Predator, and the sundry Alien films have all supposed that our dealings with extraterrestrial life would be violent and difficult. It is a lineage that goes back to HG Wells and War of the Worlds. Arrival is a recent counterexample, where the hostility was in the minds of us humans rather than the newcomers. Star Wars set a trend for wild diversity, though it is striking that humanoid life forms tend to be in charge!

Captain Kirk and the silicon-based Horta (Wikipedia)
Captain Kirk and the silicon-based Horta (Wikipedia)

Television series, with the need for ongoing plotlines, have been more varied. Star Trek again assumed that we would find lots of variety, and even the original series explored the possibility of silicon-based life. Alien species here might be friendly, hostile, or indifferent, and you never knew what to expect. Other series have followed this pattern, steadily eroding (for the most part) the idea that humanoids are automatically the best).

Meanwhile, the quest for what is actually out there continues. Nothing has been found yet which would unequivocally indicate life exists outside our solar system: what we can say is that the preconditions for it are very abundant.

Half Sick of Shadows and a giveaway…

Kindle Cover - Half Sick of Shadows
Kindle Cover – Half Sick of Shadows

Tomorrow (May 1st 2017) is the release date for the Kindle version of Half Sick of Shadows, to be followed by the paperback version in a couple of weeks once the final details are sorted out.

For reference, here are the preorder links, which should still continue to redirect to the final purchase links as soon as the book goes live!

Who is The Lady?

In ancient Britain, a Lady is living in a stone-walled house on an island in the middle of a river. So far as the people know, she
has always been there. They sense her power, they hear her singing, but they never meet her.

At first her life is idyllic. She wakes, she watches, she wanders in her garden, she weaves a complex web of what she sees, and she
sleeps again. But as she grows, this pattern becomes narrow and frustrating. She longs to meet those who cherish her, but she cannot.
The scenes beyond the walls of her home are different every time she wakes, and everyone she encounters is lost,
swallowed up by the past.

But when she finds the courage to break the cycle, there is no going back. Can she bear the cost of finding freedom? And what will
her people do, when they finally come face to face with a lady of legend who is not at all what they have imagined?

A retelling – and metamorphosis – of Tennyson’s Lady of Shalott.

And to celebrate the release, I am running an Amazon reduced price offer on all my previous books, science fiction and historical fiction alike, timed to start on May 1st and run until May 8th. So you can stock up for the reduced cot of 99p / 99c for all of these. Links are:

Far from the Spaceports:

Timing (Far from the Spaceports 2)

In a Milk and Honeyed Land

Scenes from a Life

The Flame Before Us

Enjoy the whole experience!

 

King Arthur and the north – part 2

Today’s blog about the link between King Arthur and Cumbria looks at his death, and the mysterious circumstances of the Lady of the Lake. But first, a link between a figure who was definitely real, and the Arthurian tales – the Matter of England, as it has been called.

Grisedale Tarn from Dolly Wagon
Grisedale Tarn from Dolly Wagon

For this, you have to walk a little way up from the southernmost tip of Ullswater, from the villages of Glenridding or Patterdale. Follow what is now the Coast to Coast walk up the long valley until you get to Grisedale Tarn, in the saddle point between the summits of Fairfield and Dolly Wagon. From here, if you wanted, you could drop down again into Grasmere. And here, according to rumour, Dunmail, the last British king of the region and possibly the whole country, ordered his crown to be flung into the tarn rather than fall into the hands of his victorious enemies (see an earlier post I wrote all about this). When the time is right, just like Arthur, he and his men will reclaim the crown and return to England’s help./ Now, Dunmail (probably) died around 975 AD, a few hundred years after the (probable) time of Arthur, but this shows that the connection was firmly in people’s minds.

Lady of the Lake on Ullswater
Lady of the Lake on Ullswater

Returning back down the Grisedale valley to Ullswater I found, to my surprise, there is a belief that this was the Lake from which Arthur’s sword came. Now, once again this part of the overall story had always been linked in my mind to the south. But not by everyone, apparently. One of the Ullswater passenger steamers is, in fact, called The Lady of the Lake to commemorate this. But how old is the tradition?

Looking down Grisedale towards Patterdale
Looking down Grisedale towards Patterdale

Like so many other things about these events, written evidence is comparatively late and almost certainly cannot be relied upon. We have to just look at possibilities.

King Arthur (2004) DVD cover (Amazon)
King Arthur (2004) DVD cover (Amazon)

Indeed, The historian Michael Wood went on record to the effect that the original stories “surprisingly, do not take us to the South West or to Wales, but to Cumbria, southern Scotland, and the ancient kingdom of Rheged, around the Solway”. Arthur’s final battle – at Camlann or Camboglanna  – has been variously placed in Cornwall, near Cader Idris in Wales, or near Carlisle – if we follow the norther trail, then the Roman fort of Birdoswald is a very good candidate. Those who watched the 2004 version of King Arthur may remember the whole northern setting. Several other events from Arthur’s life can be credibly located along the Roman Wall, and if he really was mortally wounded here, then a retreat down to Ullswater is feasible. Carlisle to Pooley Bridge, the nearest point of Ullswater, is only about 20 miles.

I must admit that back in the days when I was committed to the southern theory, I could never reconcile the two mental images this last episode conjures up. One is of a moorland battle, with Arthur gazing round at bodies strewn among heather and gorse. The other is of the lakeshore where the sword was finally given back. Down south there are comparatively few places where these images could be reconciled. But a battle near the old wall, followed by a retreat to Ullswater, makes much more sense.

Water, mist and hills...
Water, mist and hills…

The setting is undoubtedly atmospheric, especially of a morning when mists hover over the waters, with the mountain peaks rising darkly above. When you’re there, it’s actually quite easy to imagine the Lady’s arm emerging from the waters, or Sir Bedivere standing on the shoreline, sword in hand, torn between obedience and desire. I could go along with that.

The Death of Arthur by James Archer (Wiki)
The Death of Arthur by James Archer (Wiki)

What of his resting place? Again there is plenty of variety in the tradition to choose from. You have the romantic vision of him that artists often pick, in which he is carried away in a barge, tended to by queens. But there are other options. And according to one of these, Arthur, and possibly a selection of his followers, ended up in caves below Blencathra, also called Saddleback.

Looking across Derwent Water towards Blencathra under looming skies
Looking across Derwent Water towards Blencathra under looming skies

Blencathra is north east of Keswick, and only about 8 or 9 miles from the closest part of Ullswater. And it’s a comparatively easy 8 or 9 miles, across open land not particularly broken up by hills and valleys. It’s also an exceptionally bleak area to cross in the wrong sort of weather conditions. Now I have to admit I have never climbed Blencathra in all my many visits to the region – it’s a bit shapeless at its summit, overlooked by the rather more interesting Skiddaw. And part of it – Sharp Edge – is one of the most hazardous locations of the region, resulting in more deaths, injuries and mountain rescue call-outs than anywhere else.  For a different and much more upbeat view, real mountaineers such as Doug Scott and Chris Bonnington have said it is one of their favourite climbs. Either way, some say that this is where Arthur rests.

There are lots of competing stories and interpretations, but for me the whole process has been one of realisation that the north-west has a very good claim to Arthur.

Half Sick of Shadows – “final” manuscripts submitted

Kindle Cover - Half Sick of Shadows
Kindle Cover – Half Sick of Shadows

Over the weekend I worked on both Kindle and paperback versions of Half Sick of Shadows and have queued up what I think are the final versions of both. Kindle release day is May 1st, and I have a window of only a couple more days to make changes before it is frozen ready for deployment. As for the paperback version, a proof copy should be on its way to me very shortly, and, all being well, that will go live not long after the ebook.

Meanwhile, preorder links are at:

There are also a couple of other ways you can get a Half Sick of Shadows fix:

Alexa Half Sick of Shadows logo
Alexa Half Sick of Shadows logo

On Alexa: enable the Alexa skill for Half Sick of Shadows on the UK or US Alexa stores – listen to extracts and hear about the book directly.

Or on Issuu:

And finally, here is the latest version of the blurb (which may change yet again over the next few days):


Who is The Lady?

In ancient Britain, a Lady is living in a stone-walled house on an island in the middle of a river. So far as the people know, she
has always been there. They sense her power, they hear her singing, but they never meet her.

At first her life is idyllic. She wakes, she watches, she wanders in her garden, she weaves a complex web of what she sees, and she
sleeps again. But as she grows, this pattern becomes narrow and frustrating. She longs to meet those who cherish her, but she cannot.
The scenes beyond the walls of her home are different every time she wakes, and everyone she encounters is lost,
swallowed up by the past.

But when she finds the courage to break the cycle, there is no going back. Can she bear the cost of finding freedom? And what will
her people do, when they finally come face to face with a lady of legend who is not at all what they have imagined?

A retelling – and metamorphosis – of Tennyson’s Lady of Shalott.

King Arthur and the north – part 1

Round table, Winchester Castle (Wiki - By Martin Kraft - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16639627)
Round table, Winchester Castle (Wiki)

Being brought up in the south of England, I had always assumed that King Arthur was basically a southerner. After all, there was Tintagel, Glastonbury, even Winchester, though I knew from an early age that the round table hanging in the castle there had no real connection with him (dendrochronology has set a date around 1275). If I thought about the north at all with reference to Arthur, it was only that maybe he’d gone up there once or twice to trounce some band of malcontents.

But then, rather later, I discovered a strong Welsh connection, and my perspective started to shift a little. I found out that more places, over most of the country, had a claim to Arthurian material, and the southern homeland idea got seriously knocked.

Of course, Arthur is a national symbol, irrespective of any historical reality, so it is natural that associations would be nationwide. And it’s clear that some suggested links are wildly speculative, presumably made by hopeful locals wanting to be attached somehow to the person of the king. But not all of them can be dismissed so quickly.

Daniel Defoe's memorial, Bunhill Fields Burial and Gardens, Islington
Daniel Defoe’s memorial, Bunhill Fields Burial and Gardens, Islington

I’m going to talk in this post and the next about a few links up in Cumbria. Until recently the Lake District had been completely off my Arthurian map, but no longer. But calling it The Lake District brings to mind quiet walks by placid waters, and this is only half of the story of the region. The names Cumbria or Rheged evoke a much more robust image. Until comparatively recently, the area was better known for its rugged and apparently impenetrable mountains, than its placid waters. In 1724, Daniel Defoe wrote that it was “bounded by a chain of almost unpassable mountains which, in the language of the country, are called fells“. So what better place could there be to symbolise the wild unconquered parts of the land?

Pendragon Castle looking out at the River Eden (Wiki)
Pendragon Castle looking out at the River Eden (Wiki)

One of the two easy routes in to the wild heart of the region is from the Eden Valley, via Penrith (the other is up north from Kendal along the shores of Windermere). And indeed, signs of Arthurian connections begin in the Eden Valley. A few miles south and east of Penrith is Pendragon Castle, built, according to legend, by Uther Pendragon, the father of King Arthur. Allegedly Merlin tried to alter the course of the River Eden to make a moat, but his powers were insufficient, and the river stayed where it was. Perhaps with a little more historical footing, Uther is said to have died there after some of his Saxon enemies poisoned the well.

King Arthur's Round Table, engraving (English Heritage)
King Arthur’s Round Table, engraving (English Heritage)

Closer to Penrith is the Neolithic henge known as King Arthur’s Table. Of course the monument itself is vastly older than any probable time of Arthur – probably about 2500 years older. In its day, and long after, it would have been a stunning sight – it is some 90m across, originally with two entrances though one has been obliterated by modern buildings and a road. I can easily imagine a post-Roman leader stopping by to establish some link with ancestral glories. Much later, the site was linked explicitly to Arthur when it was believed that the circular space was used for jousting. In fact we have no idea what the original purpose was, but the area has several henges within a small area, so was presumably a significant location to our remote ancestors (the second henge in the old engraving is long since lost, but nearby Mayburgh Henge still remains).

1825 painting of Ullswater (Wiki - Museum of Wales - By John Parker - This image is available from the National Library of WalesYou can view this image in its original context on the NLW Catalogue, Public Domain, https://commons.wikimedia.org/w/index.php?curid=47585043)
1825 painting of Ullswater (Wiki – Museum of Wales)

After that, move a few miles south-west to Ullswater, arriving first at Pooley Bridge. It’s an easier and more obvious route to follow into the hills than today’s A66, although the trail along the 10km of the lake ends in a series of abrupt and dramatic valley ends. Ullswater is one of the longest and deepest of the Cumbrian lakes, and has its own set of monster-in-the-deep tales, reported from early times through to modern visitors. But let’s stick reasonably close to Arthur.

Glenridding and Ullswater, picture taken from a similar place as the painting above
Glenridding and Ullswater, picture taken from a similar place as the painting above

At the northern end of the lake, not far from Pooley Bridge, is Tristamont, or Trestamount, shown on many maps as Hodgson Hill. Local legend has it that this was the burial place of Tristan. Now most of the Arthurian stories present Tristan as a Cornishman by birth (born of Elizabeth to Meliodas, king of the lost land of Lyonesse), but linguistically the name can be linked to Old Welsh, and so directly to the Cumbric language. So a connection with the north-west is far from impossible. The idea of an actual castle, not just a grave, goes back to the antiquarian Rev Machell, who in the 1630s described walls and fortifications here. Now, although it is true that many standing stones and ancient walls in the region have been robbed for building, modern archaeologists are very sceptical that Machell recorded anything more than natural deposits of glacial rock. Under the right conditions, these can indeed look artificial. About the only definite sign of human construction is a ditch around the east side of this hill.

Aira Force (Wiki)
Aira Force (Wiki)

From medieval times – much later than any original King Arthur, though broadly consistent with his reimagining in courtly chivalric terms – we have the tale of Sir Eglamore and his fiancee Emma, probably originating from somewhere around the 13th century. They lived near the waterfall at Aira Force, but the knight was absent on the Crusades for a very long time. Returning unexpectedly, he startled Emma as she was sleep-walking, so that she slipped down the waterfall to her death. Eglamore lived out his days as a hermit beside the falls. It’s a very Arthurian tale, even if not directly linked to the tradition.

So that’s got some of the peripheral details out of the way – next time I’ll be looking at the central details surrounding Arthur’s death and the Lady of the Lake…

Arthur meets the Lady of the Lake (Wiki, illustration by Henry Justice Ford)
Arthur meets the Lady of the Lake (Wiki, illustration by Henry Justice Ford)

Where are they now… Margaret Cavendish

For today, a blog which I wrote for The Review and reposted here…

If I asked you to name some early science fiction writers, I’m guessing you’d think of Jules Verne or HG Wells, who established in the 19th and early 20th centuries so many of the conventions and themes of the genre.

Portrait of Margaret Cavendish (Wiki)
Portrait of Margaret Cavendish (Wiki)

You probably wouldn’t think of going back to 1666, and Margaret Cavendish, Duchess of Newcastle. But in fact, in the same year that the Plague was raging, and London experienced the Great Fire – only some 50 years after the King James Bible was translated, and Shakespeare was writing plays – Margaret Cavendish published her novel The Description of a New World, Called The Blazing-World. It has been called “the only known work of utopian fiction by a woman in the 17th century, as well as one of the earliest examples of what we now call ‘science fiction’ — although it is also a romance, an adventure story, and even autobiography“.

Margaret Lucas was born in 1623, the youngest of eight children, and had a lively childhood, partly spent with Queen Henrietta Maria in exile in France. In 1645 she married William Cavendish, 1st Duke of Newcastle-upon-Tyne, who was a staunch royalist and reasonably successful military commander (so had had a difficult few years until the Restoration of Charles II). He was an enthusiastic patron of the arts and sciences, which is perhaps why he and Margaret formed a happy couple – her lively and wide-ranging intellect would undoubtedly have attracted his attention. He was devastated by her death in 1673, and died just three years later.

Cover - The Blazing World (Wiki)
Cover – The Blazing World (Wiki)

She was not only an author of fiction, but also wrote over a dozen original works in diverse fields – poetry and plays, as well as a number of early scientific and philosophical treatises. The Blazing World was routinely distributed with her non-fiction Observations upon Experimental Philosophy, thus combining imaginative and scientific discourse. She was the first woman to attend meetings of the Royal Society, and engaged in debate with leading figures of the time such as Descartes, Hobbes, and Boyle. She was not shy about disagreeing with the thinking of the age when she felt it was in error, a habit which brought her criticism and conflict.

The Blazing World is, by modern standards, a slightly odd book. The protagonist, a lady whose name we never learn, is abducted by an impatient suitor, but her virtue is preserved by divine intervention which diverts the ship towards the north pole where the wickedly motivated men all perish. The lady herself is rescued by creatures which are man-like but with animal qualities – once in the Blazing World proper, she will meet Bear-men, Fox-men, Fly-men, Bird-men, Fish-men and so on. Her rescuers take her through a narrow passageway which connects our world with The Blazing World. Since there is only one such passage, and the celestial view in her new home is entirely different, a modern author might well describe this as a wormhole connection rather like in Stargate.

The Emperor of this world is smitten with her, and after a very short interval the two marry. There is then a long passage in which the new Empress quizzes the various theoretical and experimental factions in her new home – clearly satirising the state of affairs in the Royal Society, though many of the barbs evade recognition by today’s reader. Part of this section describes the creation of a array of miniature universes, each intending to explore some particular theme, and most of which are unstable and collapse again because of their own inconsistencies. It sounds very like an early exploration of what we now call the Anthropic Principle – the laws of the universe are constrained by the fact that intelligent life has arisen in it.

Portrait -Margaret Cavendish - © National Portrait Gallery
Margaret Cavendish (née Lucas), Duchess of Newcastle upon Tyne, (by Pieter Louis van Schuppen,
after Abraham Diepenbeeck, line engraving, late 17th century, NPG D30185, © National Portrait Gallery, London

In a way that would now be considered rather shockingly indulgent, she then as author brings herself in as a character – a sort of muse and scribe to the Empress. The two become exceedingly close friends. We are assured that the relationship is entirely platonic, but the degree of closeness far exceeds anything else in the book except that of Margaret to her husband.

The second half of the book describes a kind of interplanetary war – the Empress learns that her original native country is under attack by a large alliance, and decides her duty is to help. So she devises a kind of blitzkrieg strategy including air power (the Bird-men) and submarine warfare (the Fish-men) to overwhelm the assembled enemies. The combination is unstoppable, and it is clear that if she wanted, she could assume control of our world as well. Being of a restrained disposition she does not do this, but withdraws again once victory is assured.

The book closes with William and Margaret gaining inspiration for certain changes to their own estates on the basis of what they have seen in the alternative world, and a commitment to ongoing friendship and communion between the two worlds.

Margaret Cavendish and her writing went off everybody’s radar for many years, with the rise of the true novel. However, after a considerable time of obscurity, she has started to resurface. In 1997 the Margaret Cavendish Society was formed to encourage academic study of her work. The blend of feminism, science, philosophy, fantasy and interpersonal relationships has found a resonance in our own age.

Margaret is quite open about her purpose in writing the book, and her pride in being its creator: “…you may perceive, that my ambition is not onely to be Empress, but Authoress of a whole World… in the formation of those worlds, I take more delight and glory, than ever Alexander or Cesar did in conquering this terrestrial world… concerning the Philosophical-world, I am Empress of it my self; and as for the Blazing-World, it having an Empress already, who rules it with great Wisdom and Conduct, which Empress is my dear Platonick Friend; I shall never prove so unjust, treacherous, and unworthy to her, as to disturb her Government, much less to depose her from her Imperial Throne, for the sake of any other, but rather chuse to create another World for another Friend.”

Stirring words, indeed, and ones which many an author would identify with!

 

Kindle preparation – summary

For today, a couple of things. The main one is a recap of the main points from the Kindle formatting series. But before getting to that, a quick digression into something else that has involved a lot of work over the last few months. 

Lake View Country House sign
Lake View Country House sign

Lake View Country House, on the southern edge of Grasmere, Cumbria, is opening for the 2017 season tomorrow (Wednesday April 5th) after a major programme of refurbishment and renewal. Amongst other things, I am one of the contributors to the new blog there, which is part of the new web site. So have a read of the articles there, and subscribe for occasional news updates!

 
Some devices
Some devices

Back now to the world of ebooks, and a few highlights from the series.

  1. Ebook formatting is similar to physical book layout, but not the same. It’s basically a long thin web page, which can be resized n multiple ways, rather than a fixed-layout snapshot. Don’t try to force too much old-habit thinking into the new world.
  2. The rise of ebooks has put enormous flexibility of choice into the hands of readers. Some people will be happy to accept whatever factory defaults have come their way, but others will want, and expect, to set their device up in their own particular way. They will fiddle with fonts, margins, alignment, colour scheme, and so on. As author or publisher, you should make available as much choice as possible and not assume other people like your choices.
  3. Test your book with lots of different styles of background colour, margin size and so on. Remember that although Kindle accepts png image files, it does not (yet) respect any transparency settings you have chosen. If you want a transparent background, use gif format.
  4. There are two navigation methods for Kindle and other ebooks – a table of contents and the device navigation method typically accessed through a Go To menu or similar. They should both be present.
  5. Think about how formatting will look at the extremes of font and margin size as well as the happy medium. Readabiity studies have made harsh comments about some ways of styling a book as you move away from the centre towards the edges. There are technical solutions which can work around these problems.
Flush both sides working well
Flush both sides working well

Finally, no matter what you do, the result will not be delivered in exactly the same way onto all devices with all possible settings! Quite apart from user choice, there are too many differences that arise between different pieces of hardware and software, and different versions which appear over time. You may well get your writing set out with what you consider the perfect layout in one situation, but it will look quite different to somebody else. This is the reality of digital publishing, and – in my view, at least – it’s something to be engaged with rather than lamented.

 Happy kindle preparation and formatting!
Here for convenience are the previous articles:
Spine section of opf file
Spine section of opf file

Superstition

Coins hammered into tree near Grasmere, Cumbria
Coins hammered into tree near Grasmere, Cumbria

I’ve been thinking on and off about superstitions for a little while now, and it’s clear from other people’s blogs that I’m not alone in this. Synchronicity, perhaps.

To be clear, I see a big difference between superstition and religious faith, and I’m not going to be critical of either. They both are built around the conviction that actions in the here and now are not just casual and without consequence. Instead, they carry weighty implications which resonate in both natural and spiritual worlds. Religious people can be superstitious, and non-religious people can be superstitious – though the rational constructions of each of religion, atheism, and science are typically hostile to such practices. People of any religion or none might throw a pinch of salt over their shoulder, or uncross knives in a drawer, or say “white rabbits” at the start of a month, or avoid walking on the divisions between paving slabs!

Religious thought tends to be more systematic, with a careful body of thought surrounding its core principles. Whether embedded in a written or oral tradition, faith encourages theology – rational exploration of the hinterland of a central mystery which itself eludes the possibility of capture. Superstition is based around individual actions which do not necessarily build into a coherent whole. Each such action serves a specific purpose, often placatory, and doesn’t have to be combined with anything else.

Hawthorn
Hawthorn

One of the fascinating things about superstitions is that they are often tied to particular situations. Often this is to do with place – some specific deed must be done in a specific place in order to be effective. So we have all kinds of special places – trees, bodies of water, hills, and so on, often quite separate from the deeply sacred foci of religious thought. A wishing well might be found only a short distance from, say, Stonehenge, or the temple at Karnak.

But as well as a special place, there are special things to do or items to use. Maybe special words to use. For today, out of all the superstitions in the world, I want to focus briefly on leaving gifts of metal. Most old towns in England – and no doubt elsewhere as well – have a wishing well where people leave coins. Often these days the coinage is collected and given to charity, but the impulse is, I believe, much older and much less thought-through than making a donation to a worthy cause.

A Bronze Age axe hoard from Galicia, Spain (Wiki)
A Bronze Age axe hoard from Galicia, Spain (Wiki)

Back in the Bronze Age in northern Europe, metal items were regularly deposited in large quantities in streams and rivers. We find tools, weapons, scraps of spare metal, jewellery and so on – the whole gamut of artefacts. In some cases these might possibly be understood as a ritual deposit of weapons, either captured from some enemy or, perhaps, being ‘retired’ after the death of the wielder. In most cases we just don’t know the reason.

What we do know is that over time this developed into a veritable industry in its own right. We find huge deposits of tools, typically axe heads without the shaft, carefully buried or placed in piles. These represent a huge investment of time and effort – the ore had to be dug, the metal prepared and moulded, and so on. But in many cases these are not items at the end of long and faithful service – they had never been used in either war or peace, and often the metal was far too soft to be useful in any sphere. These axes were made just to be disposed of.

It’s hard to think of a reason for this, given the limited resources available to the societies of the time. Often we humans have indulged in conspicuous consumption and waste, just to prove we can. Perhaps these axe deposits were an offering to placate someone or something. Perhaps the return of metal to the Earth was seen as closing the cycle of extraction. It’s an open field for guesswork, but for today I’m going to link it with the long lineage of metal gifts which also surfaces in wishing wells.

Coins hammered into tree near Grasmere, Cumbria
Coins hammered into tree near Grasmere, Cumbria

But there’s another similar modern habit which – at least in my mind – is connected to this. It is the habit of hammering coins into trees. In some places you can find hundreds of coins all driven into a stump or old tree – the pictures are from Cumbria, between Grasmere and Rydal, but you could find similar scenes in many other places. I don’t think there was anything particularly unusual about these trees to start with – but as one person after another follows suit then the place starts to gather its own perceived value.

So the ancient tradition of giving back metal to the planet, whether in water, underground, or attached to a tree, is very much alive still in our century! I wonder which existing superstitions we will take into the future with us, and which new ones we will invent?

Writing, ancient and modern