All posts by RichardAbbott

Another trip to Pluto?

Pluto, as seen by New Horizons on July 13, 2015 ( NASA/JHUAPL/SWRI )

In July 2015 the NASA New Horizons space probe passed Pluto at a distance of under 8000 miles, in the process providing us with the first close-up data of this miniature world and its companion moons. The whole package of scientific and image data took over a year to download to Earth, and a complete analysis will take a considerable time yet. It was also roughly a year after that flyby that I started writing The Liminal Zone, set out on Pluto’s moon Charon.

New Horizons went on to have a close encounter with the unromantically named 2014 MU69 (often called Ultima Thule) in January of this year. Data from that meeting will not be fully downloaded until September next year. And mission planners are considering options for possible future encounters: if no suitable Kuiper Belt object is identified, then the on-board instruments will simply continue to return data about the remote environment in which the spaceship finds itself. The power source is finite, and will run out sometime in the late 2030s, the exact time depending on what tasks the craft is called upon to perform.

The face of Pluto looking towards Charon, on July 11, 2015 ( NASA/JHUAPL/SWRI )

But today’s blog remains focused on Pluto and its moons. Not so very long ago, Pluto was regarded as utterly inhospitable and uninteresting. If you were going to locate a science fiction plot within the solar system, you wouldn’t choose Pluto. Pretty much any other planet or moon seemed preferable, and it was hard to conceive of Pluto as anything but bitterly cold and rather featureless. New Horizons has changed that perspective. It now seems that this small body – downgraded in 2006 from being classed as “planet” to “dwarf planet”, in a decision which continues to be fiercely debated and may well be reversed at some point – is one of the most complex and interesting objects anywhere within the solar system. Not only is there a wide range of dramatic geological phenomena, but all the evidence points to ongoing activity out there. Pluto is not a frozen dead world, but one which continues to change and adapt.

Pluto and Charon from one of the other moons – artist’s impression (NASA, ESA and G. Bacon)

So interesting is it, that NASA is currently considering another mission to Pluto, this time with a view to remaining in orbit for an extended period rather than just zooming by at great speed. This would require a different kind of orbital trajectory – New Horizons’ course was deliberately set up to gain as much speed as possible from gravity assists (“slingshots”) in order to minimise the time to get there. If you plan to remain in orbit, you have to approach at a considerably lower speed to allow the modest gravitational pull to draw you in. The outline plan calls for a two-year period in orbit, followed by another onward journey – probably using Charon to slingshot away – to a suitable destination elsewhere in the Kuiper Belt. My guess is that the spaceship would need to use an ion drive, just as the asteroid probe Dawn did – this has vastly lower acceleration than a conventional chemical motor, but remains on for very long periods of time, adding speed minute by minute, hour by hour. It’s an exciting prospect if you like Pluto – two years of extended study rather than an action-packed 24 hours. If given the go-ahead. take-off would be over a decade away, and I will be in my 90s before data starts coming back. I guess it will be something to entertain me in old age!

View of Pluto as New Horizons left the system, catching the Sun’s rays passing through Pluto’s atmosphere (NASA/JHUAPL/SwRI)

Meanwhile, I shall continue writing about Pluto and Charon using the information we already know, and a generous dollop of speculation. Why choose Pluto? Well, The Liminal Zone opens on a research base out on Charon, using a collection of instruments called The Array to study what lies further out. It’s analogous to siting a terrestrial telescope on a high mountain – you avoid most of the light and electromagnetic noise generated by other people, and can concentrate on tiny signals which are easily drowned out. Into this situation comes Nina, curious about strange local tales which have no easy explanation.

For fun, here’s a short extract from when Nina arrives

Finally the landing was complete, with the smallest of jolts as the ship docked. And since she was the only passenger – and had been since the orbit of Ceres – there were no additional delays. All her belongings were already at her side, and she just walked out through the concertina into the entryway for the Charon habitat. It was all quite anticlimactic.

Her accommodation was about two thirds of the way out along the Lethe habitat. She stepped carefully along the corridor to acclimatise herself – the gravity was about a fifth of what she was used to on the Moon, so it needed care, but was manageable. The porter had given her a little hand-held which was directing her to the suite of rooms. That very word, suite, sounded too grand for her taste. She was used to more modest facilities. Indeed, the whole building seemed needlessly large to her, particularly after the weeks of confinement on the freighter. She decided that she could always close some of the doors and just live in one room, if the space in her quarters was overwhelming.

But when she got there, it wasn’t that easy. The ceiling vaulted high above her in the main chamber, and several secondary rooms clustered around it like soap bubbles. A privacy screen shimmered over a gap diametrically opposite the main door – sleeping quarters or comfort facilities, she supposed – but the rest was all open-plan. To her left was an emergency evacuation airlock, displaying all the standard alert signs. There were cupboards in doors on several walls; opening one at random she found some eating utensils. She put her carryall and daypack on one of the chairs, and wandered aimlessly about. With this apparently reckless attitude to the vacuum outside, the room didn’t feel like anywhere else she had visited. The space was daunting.

Finally she perched uncomfortably on a stool, one of half a dozen arranged haphazardly around a long table. The suite of rooms was almost silent, except for a quiet mechanical buzz which she only noticed with deliberate effort. She cleared her throat nervously.

“Is there a domestic system online?”

“Hello. Are you the new occupant?”

Software generations and obsolescence

Alexa Far from the SpaceportsWebIcon
Alexa Far from the SpaceportsWebIcon

This post came about for a number of reasons, arising both from the real and fictional worlds. Fictionally speaking, my current work-in-progress deals with several software generations of personas (the AI equivalent of people). Readers of Far from the Spaceports and Timing will no doubt remember Slate, the main persona who featured there. Slate was – or is, or maybe even will be – a Stele-class persona, which in my future universe is the first software generation of personas. Before the first Stele, there were pre-persona software installations, which were not reckoned to have reached the level of personhood.

The Liminal Zone (temporary cover)
The Liminal Zone (temporary cover)

There’s a third book in that series about Mitnash and Slate, tentatively called The Authentication Key, which introduces the second generation of personas – the Sapling class. But that is in very fragmentary stage just now, so I’ll skip over that. By the time of The Liminal Zone, which is well under way, the third generation – the Scribe class – is just starting to appear. And as you will discover in a few months, there is considerable friction between the three classes – for example, Scribes tend to consider the earlier versions as inferior. They also have different characteristics – Saplings are reckoned to be more emotional and flighty, in contrast with serious Scribes and systematic Steles. How much of this is just sibling rivalry, and how much reflects genuine differences between them is for you to decide.

So what made me decide to write this complicated structure into my novels? Well, in today’s software world, this is a familiar scenario. Whether you’re a person who absolutely loves Windows 10, macOS Catalina, or Android Pie, or on the other hand you long for the good old days of Vista, Snow Leopard or Kitkat, there is no doubt that new versions split public opinion. And how many times have you gone through a rather painful upgrade of some software you use every day, only to howl in frustration afterwards, “but why did they get rid of xyz feature? It used to just work…” So I’m quite convinced that software development will keep doing the same thing – a new version will come along, and the community of users will be divided in their response.

Artist’s impression, Europa Clipper at work (from space.com)

But as well as those things, I came across an interesting news article the other day, all about the software being developed to go on the forthcoming space mission to Jupiter’s moon Europa. That promises to be a fascinating mission in all kinds of ways, not least because Europa is considered a very promising location to look for life elsewhere in our solar system. But the section that caught my eye was when one of the JPL computer scientists casually mentioned that the computer system intended to go was roughly equivalent to an early 1990s desktop. By the time the probe sets out, in the mid 2020s, the system will be over 30 years out of date. Of course, it will still do its job extremely well – writing software for those systems is a highly specialised job, in order to make the best use of the hardware attached, and to survive the rigours of the journey to Jupiter and the extended period of research there.

But nevertheless, the system is old and very constrained by modern standards – pretty much all of the AI systems you might want to send on that mission in order to analyse what is being seen simply won’t run in the available memory and processing power. The computing job described in that article considers the challenge of writing some AI image analysis software, intended to help the craft focus in on interesting features – can it be done in such a way as to match the hardware capabilities, and still deliver some useful insights?

As well as scientific research, you could consider banking systems – the traditional banks are built around mainframe computers and associated data stores which were first written years ago and which are extremely costly. Whatever new interfaces they offer to customers – like a new mobile app – still has to talk to the legacy systems. Hence a new generation of challenger banks has arisen, leapfrogging all the old bricks-and-mortar and mainframe legacy systems and focusing on a lean experience for mobile and web users. It’s too early to predict the outcome, and the trad banks are using their huge resources to play catch-up as quickly as they can.

Often, science fiction assumes that future individuals will, naturally, have access to the very latest iteration of software. But there are all kinds of reasons why this might not happen. In my view, legacy and contemporary systems can, and almost certainly will, continue to live side by side for a very long time!

Lego ideas (from ideas.lego.com)

When software goes wrong…

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Let’s be clear right at the start – this is not a blame-the-computer post so much as a blame-the-programmer one! It is all too easy, these days, to blame the device for one’s ills, when in actual fact most of the time the problem should be directed towards those who coded the system. One day – maybe one day quite soon – it might be reasonable to blame the computer, but we’re not nearly at that stage yet.

Related image

So this post began life with frustration caused by one of the several apps we use at work. The organisation in question, which shall remain nameless, recently updated their app, no doubt for reasons which seemed good to them. The net result is that the app is now much slower and more clunky than it was. A simple query, such as you need to do when a guest arrives, is now a ponderous and unreliable operation, often needing to be repeated a couple of times before it works properly.

Now, having not so long ago been professionally involved with software testing, this started me thinking. What had gone wrong? How could a bunch of (most likely) very capable programmers have produced an app which – from a user’s perspective – was so obviously a step backwards?

Of course I don’t know the real answer to that, but my guess is that the guys and girls working on this upgrade never once did what I have to do most days – stand in front of someone who has just arrived, after (possibly) a long and difficult journey, using a mobile network connection which is slow or lacking in strength. In those circumstances, you really want the software to just work, straight away. I suspect the team just ran a bunch of tests inside their superfast corporate network, ticked a bunch of boxes, and shipped the result.

Image result for free image self driving car
Self-driving car (Roblox)

Now, that’s just one example of this problem. We all rely very heavily on software these days – in computers, phones, cars, or wherever – and we’ve become very sophisticated in what we want and don’t want. Speed is important to us – I read recently that every additional second that a web page takes to load loses a considerable fraction of the potential audience. Allegedly, 40% of people give up on a page if it takes longer than 3 seconds to load, and Amazon reckon that slow down in page loading of just one second costs the sales equivalent of $1.6 billion per year. Sainsbury’s ought to have read that article… their shopping web app is lamentably slow. But as well as speed, we want the functionality to just work. We get frustrated if the app we’re using freezes, crashes, loses changes we’ve made, and so on.

What has this to do with writing? Well, my science fiction is set in the near future, and it’s a fair bet that many of the problems that afflict software today will still afflict it in a few decades. And the situation is blurred by my assumption that AI systems wil have advanced to the point where genuinely intelligent individuals (“personas”) exist and interact with humans. In this case, “blame-the-computer” might come back into fashion. Right now, with the imminent advent of self-driving cars on our roads, we have a whole raft of social, ethical, and legal problems emerging about responsibility for problems caused. The software used is intelligent in the limited sense of doing lots of pattern recognition, and combining multiple different sources of data to arrive at a decision, but is not in any sense self-aware. The coding team is responsible, and can in principle unravel any decision taken, and trace it back to triggers based on inputs into their code.

Far from the Spaceports cover
Far from the Spaceports cover

As and when personas come along, things will change. Whoever writes the template code for a persona will provide simply a starting point, and just as humans vary according to both nature and nurture, so will personas. As my various stories unfold, I introduce several “generations” of personas – major upgrades of the platform with distinctive traits and characteristics. But within each generation, individual personas can differ pretty much in the same way that individual people do. What will this mean for our present ability to blame the computer? I suppose it becomes pretty much the same as what happens with other people – when someone does something wrong, we try to disentangle nature from nurture, and decide where responsibility really lies.

Meanwhile, for a bit of fun, here’s a YouTube speculation, “If HAL-9000 was Alexa”…

Pouring beer in low gravity

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This is another of my occasional posts on the general theme of “how would you do such-and-such in low or zero gravity?” Lots of things which we take for granted down here on the surface of the Earth become surprisingly difficult or awkward if you find yourself in the microgravity of orbit, or on the surface of a body where the gravitational pull is very much less than what we enjoy here.

Lager kegs at the Grasmere Sports Day

Today’s topic is pouring beer, and originates from the annual Grasmere Sports Day – an event held on the Sunday of the Bank Holiday weekend at the end of August. As you can see, it was a sunny day – even a hot day – and these have been in short supply ever since. But that day was hot, and we had the task of running a beer tent where people would expect cold lager right through the day. (Or any of several ales, or fruit cider)

Now, the business of making the kegs cold was handled by means of what was basically a very large cold-water bath – cooled down with a heat exchange loop overnight, then kept that way through the day. A reflective tarpaulin kept the sun (mostly) off, and the refrigeration loop did the rest. All that part would not be appreciably different in low gravity – keeping things cold in space is not generally a problem in the situations I have in mind (I’m not planning on colonising Mercury any time soon).

Dispensing fonts for several of the products

Let’s think what happens next, The drink is pushed from the keg to the dispensing unit by gas pressure. This might be the pressure of gas generated during fermentation, or some extra assistance from a CO2 or mixed-gas cylinder, and typically is a mixture of the two. Again, no problem here at all. Gas will push liquid along a tube in lots of gravity or none, basically because gases are compressible and liquids are not. So on Earth or in orbit, the beverage is pushed through a series of tubes from keg to hand-pull or font. No problem there.

But then we get to the actual presentation to the person wanting the drink. Here on the Grasmere Sports field, the drink poured downwards from the hand-pull or font into the waiting glass. Liquid at the bottom, little bubbles rising nicely towards the surface, a suitable amount of foam on the top. Everyone was happy. But now translate that into orbit. Out here, there’s no up or down worth speaking about. The liquid is propelled straight out of the delivery tap. It splashes on the sides or far end of the glass you are holding there, and then (probably) just bounces out again. There’s no gravitational incitement to remain in the glass.

In the glass

You mop up the mess, think about it, get a container which has a lid, and try again. That’s fine – the lager now remains where you wanted it instead of drifting all around your living space. Except it has no motive for remaining at the bottom of the container, since there are no gravitational clues as to what is the bottom. My suspicion is that it would break up into a number of large blobs, fusing and separating rather like an old-style lava lamp. Now suppose you got yourself a transparent container so you could still see the head… what’s happening here? The bubbles aren’t rising to the top… because there is no top. My guess – and it is a guess – is that the internal hydrostatic pressure would mean that bubbles go out from the inside of each disjoint blob of fluid towards the surface. If I’m right, then each blob will have its own set of bubbles going out radially, and each will have a roughly spherical head surrounding the liquid. It’s a fascinating thought. How would you drink such a thing? Two ways, I suspect: either you’d use a straw through the lid and suck up each blob in turn, or you’d choose a container that you could squeeze like a toothpaste tube. Not so visually exciting as quaffing your pint out of a glass, but at least you’d get to have the drink.

Cover - Far from the Spaceports
Cover – Far from the Spaceports

It’ll be a while before we face that problem for real, but my suspicion is that the brewing of beer (or an equivalent beverage) will follow very hard on the heels of any human colonisation of the solar system at large. And it’s certainly worth including in a near-future science fiction story – I put a little bit of detail into Far from the Spaceports about the Frag Rockers bar out among the asteroids, but back then I hadn’t had the chance to consider it in more detail. But there were little details like “You’ll need to go to Frag Rockers to get anything decent. Regular fermentation goes weird in low gravity. But Glyndwr has got some method for doing it right. He won’t tell anyone what.” Maybe one of the books in this series will explore the matter in more detail.

That’s it about fermentation today, but I was intrigued to read that NASA have been experimenting with the manufacture of cement up in space – see this link for a description together with some comments on structural differences between the same stuff made on Earth and in orbit, or this link for my own ramblings about the process a few weeks ago.

And finally, condolences to the Indian space agency ISRO for the loss of signal from the Vikram lander, during the final stages of approach. The orbiting observatory part of the Chandrayaan-2 mission is still working as expected.

Grimspound

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Grimspound (Wiki)

Grimspound is a Late Bronze settlement in Devon, in a rather wild and remote part of Dartmoor. I went there years ago – about which more later – but my present focus on it has been because of listening to the track of that name by the prog rock group Big Big Train (it’s on the album of the same name).

Now, my visit to it was with two friends as part of a summer trip down to the west country in the university holidays – a considerable part of the time was spent sampling local ales and ciders, including a particularly memorable evening in Exeter. One of the three of us was studying archaeology, and took us over to Grimspound: a long drive on remote roads followed by a walk of a little over a mile to the ancient monument.

One of the hut circles at Grimspound (Wiki)

Looking back, this was one of the most significant parts of the whole time away for me – I had been curious, in a vague sort of way, about history before that, but never really about ancient history, or prehistory. The way that my friend talked about Grimspound, and what we know of the culture that spawned it, caught my attention and kindled a fascination for these remote times. That holiday was a very long time ago – over 40 years now – but the fascination has remained with me ever since.

White Moss circle, Eskdale Moor, with Great Gable on the skyline

Now, the opening stanza of the song goes:
What shall be left of us?
Which artefacts will stay intact?
For nothing can last

– rather melancholy, perhaps, and the whole song has the feel of a lament. But like so many of the Bronze Age and earlier monuments I see up here in Cumbria, there is a sense of enormous loss. Typically, the places where these sites are found – presumably each a thriving nexus in its time – are desolate and remote, located far from the locations that we prefer in our own age. The adjacent picture is taken on Eskdale Moor, nowadays a vast and empty expanse between Eskdale itself and Wasdale, but back in the Late Bronze a busy spot which has left us numerous enigmatic remains.

Hence the lyrics of the song. Grimspound, White Moss on Eskdale Moor, and a whole host of other similar relics have left us perplexing hints as to a lost culture. These places were thriving settlements, or religious centres, or trading markets, or reminders of political alliances, or… something. We just don’t know what, and the loss of that sense of human activity occasionally weighs very heavily. No doubt at the time they expected that their way of life would be remembered by those who came after, but we have forgotten it, and no longer have any clear understanding of what the stones and their alignments signify. So we too should be asking, what will remain of us?

One of the many structures along Hadrian’s Wall

It’s nice to imagine that in a modern world, with writing commonplace and electronic recording devices readily available, that everything will remain – the dull and dreary along with the exciting. But perhaps not. Even within the electronic age, we have a great deal of information stored in formats, or on storage media, which can no longer be accessed. Go back a few years, and the problems multiply. As some know, I have recently finished walking Hadrian’s Wall – built during an age when writing was reasonably common, and as part of an empire which was at times slightly obsessed with recording minute administrative details. But you cannot walk the wall without becoming aware of how little we know of that structure. What, for example, was the function of the Vallum? There are lots of suggestions, but no consensus. Why did the design specification change between laying the foundations and building the wall? Even – and this is such an obvious thing – how much toing and froing was there from one side to the other on a daily basis? So much of the wall is a riddle, and there are many questions we would love to ask of those who built and lived along it.

If, as I hope and expect, humanity starts to settle on other planets and moons than Earth, I wonder how long it will be before are descendants lose touch with things that we take for granted. It’s something of a trope in science fiction – Isaac Asimov’s books presuppose that the location of Earth is lost, and scholars debate endlessly which of several contenders was the original cradle planet. But I’m not so much talking about the loss of sense of a home planet – it’s more the loss of how life was lived that intrigues me here. I have very little idea how my British forebears of a couple of thousand years ago lived, even with all the artefacts that have survived. Go back another thousand years to the time of Grimspound and Eskdale Moor, and I have vastly less idea. What will remain of us?

Here, for the curious, is the YouTube link to the Big Big Train song (https://youtu.be/Aaf1XDtWVNk)…

More about lightsails

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The deployed solar sail from an on-board camera (The Planetary Society)

A few weeks ago I blogged about lightsails, and in particular mentioned the Planetary Society’s spaceship LightSail 2, which was launched specifically in order to test this technology. The idea was relatively simple – get a small satellite, about the size of a cereal box, into earth orbit, then deploy the sail and see whether the orbit can be controlled using solar radiation alone.

Now, this isn’t really the sphere of operations that you would generally consider a lightsail – they function at their best when on a long journey and can build up momentum second by second. Here in Earth orbit, the overall effect is to make the orbit more elliptical – one part of the orbit is raised in altitude, but another part is lowered, and at some point the little satellite will encounter too much resistance from the atmosphere and will come down, burning up as it does so. The advantage of doing it so close to home is that there is hardly any signal lag, so controlling the sail’s angle, and tracking the consequences of changes, is very much easier.

Light sail control data (Purdue University)

To cut a long story short, the experiment worked. After a couple of weeks, the orbit had been raised around 3km. That doesn’t sound much, but it’s enough to show that the whole thing is controllable. A lot of analysis has been carried out on the orbital changes – you can imagine that as the satellite goes around the Earth, the angle relative to the sun is constantly changing. It was important to show that the observed changes were the result of ground commands, not just the random effects of sunlight shining at odd angles. So the orbital data has been heavily scrutinised, and came out successfully at the end.

Colour-corrected image of Earth partly obscured by the sail from the onboard camera (Planetary Society)

The extended mission period also gave the ground control team experience in how to best use the constantly changing angle. By the end of those two weeks of deployment, they had learned what worked well and what didn’t. It’s good experience for this kind of mission, but as I said earlier, a more realistic use-case would be to go on a transfer trajectory to a more remote destination – say Mars – and on such a journey. the angle between sail and sun would not vary anywhere near so much.

The experiment will continue through the rest of August, maybe a bit longer, and anyone who wants to see the current status can go to http://www.planetary.org/explore/projects/lightsail-solar-sailing/lightsail-mission-control.html which gibves all kinds of geeky information as well as a neat map showing the current location of LightSail 2.

While talking about space news, it’s certainly worth mentioning India’s Chandrayaan 2 mission. That has just left Earth orbit, and aims to soft-land about 600km from the Moon’s south pole in about a week. The approach used is similar to that of Israel’s Beresheet, in which a series of gradually elongated elliptical orbits around the Earth is eventually traded at a transfer point to a series of gradually diminishing orbits around the Moon. The lunar south pole is thought to be the most promising location for water ice, lurking on the surface in deep shadow areas and hence available very rapidly for human use. Proving that this really is – or maybe is not – the case is an important step towards building a permanent settlement on the Moon. The landing itself is scheduled for early September. The main mission web site is at https://www.isro.gov.in/chandrayaan2-home-0 and here’s a short video describing it.

Hopefully I shall be saying some more about that in September. But inevitably at present, the question for this blog is what these events have to do with fiction. My own vision of the future exploration of the solar system has spaceships using an ion drive rather than lightsails, since I expect these to be faster, and more effective in the volume outside the asteroid belt, as solar radiation drops off. But I can easily image automated lightsail ships being used for cargo which is not time-critical – not unlike how we send some freight by air and some by water today.

But the lunar south pole has been suggested many times as a good place to build a base, going back at least to Buzz Aldrin’s Encounter with Tiber. I makes perfect sense to me, and it would be great if Chandrayaan 2 was able to directly confirm that water ice is there.

Concrete and Low Gravity

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An early stage…

Every now and again I have cause to get involved in one or other building project up here in Cumbria – not exactly something I reckon to have much aptitude in, but there’s always need for spare pairs of hands. And as the job gets moving around me, I always start thinking about how much more difficult the job would be in the micro-gravity of orbit, or indeed on some planet where the atmosphere is different to our own. Mars maybe. So many of our current practices and presumptions about building and making things derive from working on a planet with a decent level of gravity, and where the ambient temperature and air pressure are conducive to helping the project moving along. Of course, there’s something of a circular argument buried in that, since we have had to work with Earth’s conditions for a very many years. Presumably if we had evolved and grown up on Mars we would work things differently, and wonder to ourselves how anyone could possibly construct buildings in three times the surface gravity and a hundred times the air pressure!

Now the particular job this week was laying a concrete floor – as you can see from the pictures, it was making a new layer to even up the various levels of an existing floor. What may not be so obvious is that it also slopes gradually from back to front (to provide some drainage), so there was some nifty preparatory work with wooden beams to provide the necessary angle to smooth off against. You can see some of these in the next picture. The whole floor will – in a few weeks – support a canning machine for several of our beers, so there’ll be other installation stages as time goes by.

A bit later…

The concrete itself came ready-mixed, in one of those neat little lorries that do the mixing as they are driving along to you, and then pour it out in smaller or larger dollops as the need arises. With the confined space we had to work in (confined as regards a truck, not a human) this meant lots of smallish dollops into wheelbarrows which were then tipped in whatever place was necessary. So the lorry itself exercised some of my low gravity pondering. The mixer relies on gravity to thoroughly muddle all the different components up as the barrel turns – no gravity, then no mixing. The water, sand, shingle, cement and what have you would all just gloop around and not combine into a single substance which will set hard. In orbit, or on an asteroid, you’d have to design and build a different way to mix things up. Then the act of pouring relies on gravity to pull the stuff down a chute into a waiting wheelbarrow. I guess you’d have to have something like a toothpaste tube, or the gadgets you use to apply icing to cakes.

Finished product (1)

Laying concrete basically consists of a couple of stages: first you plonk barrowloads or shovelfuls where you want them, and then you smooth it down, broadly by means of a wooden plank laid across two guide beams, and in fine by means of a trowel or similar instrument. So you need a definite sense of what’s down, you need to be able to press down onto the initially rough and lumpy surface, and you need inertia and friction to help you, and . In micro-gravity you have none of these things. Any direction can be down, it’s impossible to press without first bracing yourself on some convenient opposing support, and although inertia and friction are still present, they don’t necessarily operate in the ways or directions you expect. There are not many concrete floors on the ISS, nor wil there be if the space station were to remain up there a long time.

After that you wait for the concrete to set – part of that is just water evaporating, and part is chemical reactions between the various constituents. And it’s kind of important that it sets at a sensible rate, neither too fast nor too slow. Now, if you poured out that same floor on Mars, I’m not sure the end result would be the same. Certainly the water would evaporate, but in all probability this would happen rather too quickly for comfort. What about the chemistry? The average Martian surface temperature is about -63° Centigrade, compared with say 14° C on Earth as an overall average. I don’t know if the necessary chemical reactions would happen at that temperature, but I have a suspicion that they might not. You could end up with a floor that was weak or brittle.

In short, a task that took five of us a few hours of a morning, without too much frustration or difficulty, could well become profoundly difficult or even impossible elsewhere in the solar system. So when I write about near future space habitats – the “domes” of my various stories – I always assume that they are made by very large versions of 3D printers. The technology to print buildings has been demonstrated on an Earth scale for disaster relief and similar occasions, and it makes a whole lot more sense to send a large printer to another planet and use local materials, rather than to send sacks of sand, cement etc across space, and then hope that the end result will be acceptable! Meanwhile, here on Earth I dare say we will be laying concrete floors for a long time yet.

Finished product (2)

A basic introduction to the Solar System

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Cover - Far from the Spaceports
Cover – Far from the Spaceports

I needed to write a sort of general introduction to the solar system assumed by Far from the Spaceports and its various sequels – the exact reason for this must wait for another day to reveal, but I found the exercise interesting in its own right. Most of the future facts are pretty obvious when you are immersed in the books, but it may be helpful to have them all summed up in a neat way.

So here it is: the future history of the solar system – or at least edited highlights thereof – spanning the next century or so.

The solar system of the Far from the Spaceports series

The great breakthrough that allowed widespread human colonisation of the solar system was the development of a reliable high-performance ion drive for spaceship propulsion. The first successful deployment of this technology in experimental form was in 1998, and successive improvements led to near-complete adoption by around 2050. By the time of Far from the Spaceports and the sequels, old-style chemical rockets are now only used for shuttle service between a planet’s surface and orbital docks, with the ion drive taking over from orbit.

NEXT ion drive in operation (NASA)

The great virtue of the ion drive is that it provides continual acceleration over a long period of time, rather than big delta-v changes at start and end of the journey followed by a long weightless coast period. Thus, although the acceleration rate is very low, the end result is a much faster trip than when using chemical rockets. With the kinds of engine available in the stories, a journey from Earth to the asteroid belt takes an average of three weeks, the exact time depending on the relative orbital position of the target as compared to Earth. Longer journeys are more efficient if you avoid making interim stops – breaking a journey half way makes the travel time nearly half as long again as just going direct, because of the time wasted slowing down and then speeding up again. As a result, trade or passenger routes typically go straight from origin to destination, avoiding intermediate stopovers.

At around the same time, artificially intelligent software reached a stage where the systems were generally accepted as authentic individuals, with similar rights and opportunities to humans. Known as personas, they are distinguished from simpler AI devices which are simply machines without personality. Personas have gender and emotion as well as logic and algorithms. Slate is the persona who features most prominently in the early stories in the series. In terms of early 21st century AI development, Slate is a closer relative to digital assistants such as Alexa, Siri or Cortana, than she is to humanoid robots. As a result, she can – with effort and care – be transferred into any sufficiently capable computer system if the need arises.

Amazon Dot - Active
Amazon Dot – Active

The first generation of personas to go out on general release were called the Stele class – Slate is one of these. About a decade later, around the time of The Authentication Key (in progress), the Sapling class was released, and after another decade the Scribe class appeared. Steles are regarded as solid and reliable, while Saplings are more flighty, being prone to acting on impulse. Scribes are stricter and more literal. They first appear in The Liminal Zone (in progress). There are plenty of sub-persona machines around, serving specific tasks which do not require high levels of flexibility of intelligence or awareness.

Solar system colonisation has proceeded in a series of waves, and at any time some habitats are flourishing while others have been left behind the crest of the wave. The original motivation for settlement was typically mining – bulk extraction of metals and minerals could be done more cheaply and with fewer political constraints away from Earth’s surface. However, there are many places which appeared at first sight to be profitable, but which subsequently proved to be uncompetitive. Many settlements have had to rethink their purpose of being, and the kinds of industry or service they can offer. Very often, as you get to know a new place, you see the signs of this rethink – perhaps an old warehouse or chemical extraction factory has been converted to a new function such as accommodation or finance.

Phobos, NASA/JPL
Phobos, NASA/JPL

A habitat is routinely called a dome, even though few are actually dome-shaped. Very often several units will be loosely connected by passageways or flexible tubes, as well as delving underground if the surface rocks permit. The first stage of settlement was usually to deploy one or more giant three-D printers to construct the habitat shells from native material. After that, individual customisations have been added according to need, taste or whimsy. The biggest single threat to a dome is typically some kind of fault or crack exposing the occupants to the surface environment of the planet, asteroid or moon – normally this is quickly fatal. Hence each dome has its own set of rules for managing this risk, which are very strictly enforced.

There is no unified solar system political or economic authority. Each habitat manages its own internal affairs in broad alignment with its current purpose for existence. Some are essentially puppet offices for large corporations, others are scholarly or academic research stations, but most have achieved a degree of economic independence and are self-governing. It is generally believed that travel lags of a few weeks or months prevent effective government from elsewhere. Notions of political control are usually set aside because of the constant need to cope with the many external hazards faced by anyone in a spaceship, or on the surface of an inhospitable planet or moon. Each habitat, then, protects its own interests as it sees fit, including monitoring the volume of space immediately nearby, and adopts a laissez-faire attitude to other habitats.

Alexa Timing logo
Alexa Timing logo

Most habitats are culturally and racially mixed, and people’s names are often the most obvious memories of the Earthly heritage of their family. A few places, depending on the circumstances of their foundation, reflect a particular single culture group. It can be difficult for outsiders to integrate into these. But generally speaking, a person gets the reaction that their conduct deserves, regardless of their place of family origin. It can be very difficult to recover from a bad impression created on first meeting. Conversely, a person who shows that they are respectful of local customs, and have particular skills that contribute to the life of the habitat, will find no difficulty fitting in.

Welcome to the world of Far from the Spaceports!

Artist’s impression – Dawn’s ion drive (NASA)

Lightsails

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NASA illustration showing how the sail might be supported by struts

Lightsails, or solar sails, are an idea which has cropped up as a speculative way to propel spaceships many times since (at least) the early 17th century. In 1610, Johannes Kepler wrote to Galileo “Provide ships or sails adapted to the heavenly breezes, and there will be some who will brave even that void” – this seems to have been inspired by noticing that the tails of comets always faced away from the sun, rather than pointing back along their direction of motion. The analogy with sailing ships was powerful and persuasive, and many people over the years embellished on it in both fiction and mathematical exploration. I should mention that, at least at present, I am not planning to use lightsails in my own science fiction series, though it is tempting just because of the elegance of the idea!

The science of the solar sail (Wiki)

It was soon obvious that in order to work, the sail must have a huge area compared to the relatively small payload or cabin space – writers talked about “tremendous mirrors of very thin sheets”, or “wings of metallic foil of a square kilometre or more in area”, or “large, metallic wings, acres in extent”. The huge advantage over a conventional spacecraft is that it carries no fuel, except possibly for something to power small attitude-correction thrusters. The fuel source is the sun itself, and provided that the angle of the sail is kept accurately maintained, acceleration goes on every second of every day, allowing quite remarkable speeds to be attained in time. The downside, of course, is that the further out you travel, the less light falls on you, and hence the less acceleration can be achieved.

Model of Japanese IKAROS lightsail spaceship (Wiki)

A number of proposals have been made to address this. One is to build an array of giant lasers at some suitable way-station, which would supplement the waning light received from the sun. Another is to adopt a trajectory which dips close in to the sun, talking maximum advantage of the intense light there, before heading out towards the real target. And a third approach, which has only been made possible as technology has become extremely miniaturised, is to make the payload tiny. For example, something the size of a fair-sized mobile phone can carry a lot of instrumentation, but weighs a tiny fraction of a vessel able to carry humans and their cargo.

Travel times to the inner planets (out as far as Mars) take something like six months to a year to complete. If you wanted to go to the outer planets (Jupiter and on) then you’re talking a few years – a couple to Jupiter itself, and less than ten to get to Neptune or Pluto. And – assuming you have already built suitable acceleration lasers – you could get to nearby stars in a few decades. And all without the need to take large quantities of fuel. It’s not fast, but then neither are conventional methods – it took the Juno probe about five years to reach Jupiter, and the Cassini probe nearly seven to get to Saturn, using the current standard method of using a big burn at the start, followed by a long coasting period with occasional course corrections.

LightSail 2, artist’s impression (The Planetary Society)

So there’s a lot of interest in exploring this technology, and my immediate trigger for writing this was the Planetary Society’s LightSail 2 spacecraft , which was launched on top of one of SpaceX’s Falcon rockets. Over the next few weeks and months it wil carry out a series of proof of concept maneuvers. Several years ago, the Japanese IKAROS project showed that solar radiation could indeed be used in a live spaceship to adjust course and speed – no great surprise, but actually getting engineering proof was a great achievement. Perhaps the most ambitious currently planned mission is the Breakthrough Starshot project, which hopes to send a fleet of about a thousand miniature spaceships to Alpha Centauri, the nearest star, in order to fly by its planets and return information. This journey, presupposing the planned laser propulsion array can be built, should take 20 or 30 years, and the current plan is to launch in 2036. I might still be alive to see the outcome!

Finally, I would be remiss if I failed to mention the (fictional) solar sail ship which features in an episode of Star Trek Deep Space, in which it is called a lightship. Here, our intrepid captain and his son recapitulate a traditional journey taken from the planet Bajor in a rather steampunk-looking vessel – the trip is successful, though they are boosted not just by solar radiation but also by unusual space conditions… presumably so the journey can take weeks rather than decades!

Bajoran lightship (Star Trek Deep Space 9, image from Memory Alpha)

“The Immortal Yew” – Some Thoughts

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Cover, The Immortal Yew (Amazon)

As a digression from my recent science fiction posts, here’s one about the natural world, and its intersection with history. I have been reading through the Royal Botanic Gardens’ book The Immortal Yew, written by Tony Hall, and finding it fascinating.

The first part of the book covers, in a kind of whistle-stop tour, various snippets of curious facts and suppositions about yew trees, while the remaining 4/5 lists a total of 76 particularly impressive yews around the country. Most of these are in England and Wales, with a few in Ireland and one in Scotland.

I guess most of us encounter yew trees in churchyards – the jury is out as to whether the origin of this custom was spiritual (yew trees have symbolised immortality and resurrection in more faiths than just Christianity) or practical (it stopped farm animals from grazing their way through the graves). Either way, this location has meant that the trees were protected from casual lopping, and so have survived. And indeed the majority of the showcased yews are in churchyards.

Martindale Yew branches
Martindale Yew branches working their way across the soil

It is surprisingly hard to determine how old a yew tree is – the main trunk hollows out after a few centuries, losing all the heartwood and almost all the associated tree rings. To add confusion, a few centuries later still, the tree puts down another central shaft which, as it were, grows in place of the original trunk. All the while, the original bark keeps growing around the outside like a kind of shell. Low branches drape along the ground and frequently put down their own roots, resulting in a cluster of rooted trunks. It is often hard to tell whether we are looking at a single tree or several grouped closely together. Historical records can help, and typically tell us that some of these yews are well over a millennium old. How much over a millennium? We just don’t know, but there is circumstantial evidence that yews can live for perhaps 3000 years. Such trees considerably predate the churchyards they find around them. It is likely that yews are the oldest living things in Europe. The Martindale Yew (close to Ullswater lake) may well be 1500 years old. The church building (known as Old Martindale church, to distinguish it from the new one up the road) dates back to 1220 – a respectable age, but dwarfed by the tree it nestles beside.

With such antiquity, and a whole slew of medicinal and military associations, yews have a firm place in European folklore. One snippet I particularly liked related to Yggdrasil, the Norse tree of life connecting the various worlds. Normally reckoned to be an ash tree (Wikipedia certainly thinks so), the references in the Poetic Edda suggest it is both evergreen and needle-bearing… neither of which applies to ash trees. Was Yggdrasil a gigantic yew tree? Seeing some of the magnificent specimens photographed for The Immortal Yew, it is easy to think so.

So next time you are near a churchyard, drop in to say hello to the yew tree which will almost certainly be growing there, and think about what it has witnessed during its lifetime. Each and every yew has quite a story wrapped up in its substance, and could be woven equally into history or fantasy.

The Martindale Yew with the church in the background