Realmgolds – a review

Realmgolds, by Mike Reeves-McMillan, is set in an alternative world with an earlier level of technology than our own, but where magic is a reality. Mike’s books were my first foray into steampunk as a genre, so initially I was not sure what to expect. Happily I have enjoyed the experience, and am very happy to recommend this book and its successors, and to explore the genre further.

The Realmgolds series, of which this is the first, are not arranged in sequence, but overlap one another and often touch on the same events from a different perspective. As such, they do not strictly need to be read in order, although inevitably the later ones assume more familiarity with the world and its denizens than the earlier ones. Indeed, to some extent I feel you need some general acquaintance with the conventions of the genre in order to get what Mike is doing. There are (I came to realise) numerous places where his dryly humorous comments only really make sense if you know how other authors have tackled these issues.

This book’s main focus is on the military and political changes taking place in one of the world’s countries (Realms). A civil war takes place, and the legitimate ruler of that country (one of the Realmgolds of the title) is temporarily forced out before rising to the occasion and reclaiming his rightful position. The campaign and military sections are written well and persuasively, with believable levels of technology and tactics. However, I found the political plans at the end less convincing, with a rather Utopian plan for future prosperity schematically laid out and enthusiastically received. The bad guys and girls are portrayed as obviously economically wrong as well as morally dubious. If only it was so easy to run a country here in this world!

I think that the book could best be classed as Young Adult rather than Adult. Only one of the main characters is substantially transformed by the events of this story, and most of them, even the second Realmgold, are very simply delineated. Character details are usually supplied for their contribution to the plot rather than to build complex personalities. The emotional impact of major events on the characters seems low, and perhaps in consequence, the story did not generate strong responses in me. Sex and intimacy are treated in a rather coy manner – when the characters get involved with such things they cease to seem like adults, and appear more like teenagers who have found a copy of the Kama Sutra. It was unclear to me if this was part of Mike’s world-building or to do with his target audience. The world itself has obviously been carefully thought through by Mike, with considerable detail provided or implied about prior history and culture.

Overall for me this was a four star book. It is confident and consistent in its presentation of the world, and has clearly been given huge attention to detail. The prose is well-constructed though plain. The kindle version which I read was excellently produced, complete with proper navigation guides and so on – touches which are often omitted in books that I have read recently. At the end I wanted to know more about this universe. However, I prefer more depth and more ambiguity in characters, and felt that this world could potentially offer me much more of its evident mystery and antiquity than I had been granted in these pages. I have no idea if it would appeal to regular steampunk enthusiasts, but it is certainly accessible to those, like me, who have had no prior acquaintance.

Realmgolds cover image

Scenes from a Life – soft cover now available

Scenes from a Life is now available in soft cover. At least, I have proof-checked the final version and clicked the button which says to distribute it. I gather it will take a short time for the various global sites to list it as ready-to-ship, but to all intents and purposes it is now out in the world!

Purchase links are:

Here is the cover image…

Scenes from a Life - soft cover 'look inside'

For the curious, the glyphs on the front read:

Makty-Rasut, true of voice
and his beloved Milashuniyet, true of voice.

This is taken from the closing part of the tomb inscription which Makty has prepared, which reads more fully:

O you who pass by this place, speak out a voice offering to the gods in bread and beer, papyrus and turquoise, and in everything good and pure for the life of Makty-Rasut, true of voice, and for his beloved Milashuniyet, true of voice.

Hatshepsut, speak to me – a review

Hatshepsut, Speak to me, by Ruth Whitman, was an unexpected gift brought to me from America. I had not heard of the book before, but am delighted to have read it now. Unlike most of what I have read recently, it is a book of modern poetry rather than prose. However, it is not all modern, as Ruth blended translations and rewrites of New Kingdom Egyptian material along with new compositions in her own voice.

Columns at Hatshepsut's temple

The result is a vivid and credible dialogue between the Ruth of today and the Hatshepsut of about 3500 years ago. The two women are seen to share a great deal in their experience of life, sexuality, loss, and managing the difficulties of being a woman in a role traditionally seen as male. Indeed, part of the poignancy of the conversation is simply that the two women could never actually meet in real life, and can only converse through the written word or glyph.

Hatshepsut’s life fades away in the textual record left to us from Egypt. This has given rise to a great deal of speculation about the transfer of power from her to Thutmose III. Ruth presents her as a perceptive nurturer of culture, not the conqueror of other lands that so many New Kingdom pharaohs sought to be. As such, despite the internal wealth of goods and knowledge she cultivated, in the end she was rejected by a martial faction within elite society. Her voice fades away into the still-surviving splendour of her memorial at Deir el-Bahri, along with the resting places and histories of those she loved. This book was also to be Ruth Whitman’s final one, so that both women leave us with the closing words of the book.

I personally thought the book was a great piece of imaginative exploration, and have no hesitation in giving it five stars. Having said that, I am aware that not everyone will enjoy it. It is poetry rather than prose, and although it spans the lives of both women it does not intend to tell a story which goes anywhere. Part of the connection between the two women is that their simple struggle to gain acceptance absorbed so much energy that their full potential could not be realised.

For those who like the human side of New Kingdom Egypt – inquisitive, sensitive and exploratory as opposed to assertive and combative – this could be a book for you.

Here is a short extract from one of my favourite pieces, but the full impact of this book is not in the parts but in the whole.

For you, death is a continuation of life:
you will eat the same bread, beer, wine, geese,
celebrate banquets and festivals,
your shawabtis will fish in the river, plow,
gather grapes in the vineyards for you.

For me, death is the end.
I’m racing to leave behind
a few words arranged in a pattern
that will touch the living.

Sentiments and ideas which also find expression in Scenes from a Life, now going through the final stages of release as soft-cover.

Approach to Hatshepsut's temple

Scenes from a Life – now released on kindle

Well, today is the day – Scenes from a Life is now uploaded to the kindle store. It is live on the Amazon.co.uk store at

http://www.amazon.co.uk/Scenes-Life-Richard-Abbott-ebook/dp/B00H8Y0F7E/

and Amazon.com at

http://www.amazon.com/Scenes-Life-Richard-Abbott-ebook/dp/B00H8Y0F7E/

and will go live internationally at the various other Amazon sites over the next 48 or so hours as soon as the distribution process does its stuff.

Scenes from a Life - kindle cover image

The softback version will be available soon, but the review process for CreateSpace is longer. More news as soon as possible… currently I am waiting for a printed copy to proof-read.

Meanwhile I have done some updates at the Kephrath site. The web page dedicated to Scenes from a Life is at
http://www.kephrath.com/ScenesFromALife.aspx.
An extract, the opening section, can be found at
http://www.kephrath.com/Extracts.aspx?choice=scenes. Enjoy!

Cover – Scenes from a Life

Here is the cover image I shall be using for the kindle and epub versions of Scenes from a Life

Scenes from a Life cover - kindle/epub

The pictures are from Egypt and Israel, and the glyphs were laid out by me, but the whole was put together by Ian Grainger (www.iangrainger.co.uk, also on Google+ at https://plus.google.com/u/0/+IanGrainger/posts where you can enjoy daily views of his photographic talent). Ian also provided the cover image for In a Milk and Honeyed Land.

All this means of course that Scenes from a Life is very nearly ready – I hope to get the kindle version launched this coming week, with soft-cover available through Amazon CreateSpace a little later, depending on the speed of their review process. The full image for the front and back of the soft-cover version will be on display before long. epub will lag behind as it takes varying amounts of time to register with the various vendors.

The toolkit used for producing Scenes from a Life

Spiral staircase, St John's College, Cambridge
Scenes from a Life is on its very last sanity read-through before release! All being well, this means a kindle release early next week, with physical copies through Amazon Createspace shortly after, depending how long their validation and approval process takes. Watch out later this week for the cover design to appear, a splendid composite picture which would not have been anywhere near so good without the extensive help of Ian Grainger.

So I thought I would take a short break from the slightly mind-numbing process of proof-reading to talk about the tools I have used to put this all together.

First and foremost there is Amazon’s KindleGen. Being of a technical disposition I use this “raw”, with all the actual content written in HTML, and a bunch of configuration files to tie them all together and define the structure. This means that I have complete control over the output, can check the results every step of the way, and avoid the formatting slips and navigation problems that I have met so often in both self-published and small-press books.

Next, epub format, for those many people who have other kinds of ereaders. This uses exactly the same HTML source files as kindle, but with a slightly different set of configuration files. In fact epub is a much stricter and more pedantic format than kindle, so it’s easier to work always to the stricter standard too keep both happy. Also, the diversity of ereader devices and applications, and the variations on how closely the manufacturers and software writers have stuck to the spec, means that to get wide coverage you have to be quite cautious and keep well within the bounds of what is possible. Once the source and configuration files are complete, epub is simply a zip (compressed) archive needing no special tools. Long-term readers of this blog will no doubt remember the struggles I had with this earlier in the year.

Finally, the physical copies. It has been an eye-opener going back to a world of absolute distances and dimensions for the layout. So much of my recent writing and professional life has worked in situations where text can just be reflowed at will to adjust to a different size screen or window. So, working with the constraints of a fixed piece of paper has been, to say the least, interesting.

Following the advice of my Finnish friend Petteri Hannila I tried out an online tool called ShareLatex. This takes source files in plain text, and joins them together with directives that define the physical appearance – paper size and margins, font size and type, and the whole host of conventions that go into book design. It was slow and frustrating at first, but again a technical background helps a great deal, and before too long I had got to grips with the parts of the latex language I needed for both the interior and the cover. The huge advantage of ShareLatex is that the output can go directly into Amazon’s Createspace software in “camera-ready” form. The downside – apart from its general unsympathetic interface – is that the error and warning messages when you make a mistake are exceedingly obscure. And once again, unlike just using Word and exporting to pdf, you have a lot of fine-grained control.

Which brings me to Createspace itself. This is, I think,a wonderful tool for those who are going to self-publish. Unlike ShareLatex, the errors and warnings are clearly explained and presented, and so far the process has been extraordinarily simple. I cannot yet say I have finished this – that will not happen until final proof-reading has happened, followed by the definitive page count and some last-minute accommodation to that. But so far, so good.

OK, that’s all for today… back to chapter 5… watch out for the cover in a few days…

Review – Prophet Motive, by John Bimson

The Prophet Motive, by John Bimson, is fundamentally about the narrow divide between understanding and misunderstanding. This swings from the minor and often hilarious slips which constantly hover in the background of English-American conversation, right through to the life- and world-threatening consequences of extremist interpretation of biblical prophecy.

The book was originally written with an expectation that the year 2000 would see an outbreak of millennial doomsdayism. As things turned out, this did not happen on a large scale, and even the excitement about the year 2012 – complete with feature film – was rather understated. However, The Prophet Motive can still be read as an echo of contemporary thought and preoccupation. Like so many former prophets, you just have to move the dates…

The book is undeniably funny, though with a very dry British sense of humour that some people may not click with. If you read it, be prepared to find serious subjects tackled in an offbeat way. The scenes towards the end, with multi-way puns on the word “seal” are something of a tour de force, and show up the military habit of thought as just as rigid and fundamentalist as the extreme religious group they confront. Conversely, if you cannot find humour and a sense of fun in tackling biblical prophecy, fringe views on the end of the world, middle eastern relationships, and archaeology, then this book is not for you. The position is summed up in the closing words, “Laughter… fosters self-critical detachment and has the power to defanaticise. I believe it is no coincidence that the Essenes of Qumran imposed penalties on members who giggled.”

Arnon Gorge, Jordan

The primary technical vehicle for the plot is the investigation of the history of Israel in the couple of centuries before and after the time of Jesus. It is handled with skill and accuracy, including the state of Dead Sea Scroll research up to the time of writing the book (the late 1990s). The wide variety of motives that different people and groups have for looking at this period is captured, together with the whole spectrum of ability levels and preconceptions.

The book is very much plot driven, and only one or two of the characters change to any real degree from start to end. I did feel that the very last episode (Project Peter, Phase 2) was rather too easily dismissed as a non-event in favour of the climax of the personal quests of the two main characters. I suspect that Phase 2 was only really brought in for two reasons. First it takes the triumphal edge off the successful struggle against Phase 1. Secondly it allows a very cool snippet of humour turning the tables on the millenarianism that dominates the book. On balance, though, a potentially much more serious threat is casually discarded in a few words.

Sadly The Prophet Motive is currently out of print owing to the demise of the small press who took the project on, and at the time of printing no thought was given to electronic publication. It is to be hoped that this might change with the revolution in publishing which has happened in the last few years. Technically the book has been well proof-read and well edited, and I think it has good mileage in it still.

I really enjoyed this book, and think it would be accessible to a general audience. Certainly it helps already to know something about the areas tackled – the interpretation of prophecy, the nature of archaeological work and evidence, and so on. However, there are enough explanations along the way that if you did not know much about (say) the Dead Sea Scrolls beforehand, you will get to know what you need.

For me this was a four star book. I don’t often read fiction set in the present day, nor stories that are quite so plot-focused. So for me personally, the book missed a few elements which I look for. However, I would certainly recommend it as an exciting and entertaining read, and am very glad to have come across it. I suspect that people who are more familiar with this genre might rate it with five stars.

Finally, a disclaimer – John was my PhD supervisor a few years ago when I was working on Triumphal Accounts in Hebrew and Egyptian. However, that was long enough ago, and on a sufficiently different area of biblical and related studies, that I don’t feel this has compromised my objectivity at all.

Writing about religion

I have been wanting for some time to do occasional posts on the subject of religion in the second millennium BCE. Today’s post is a general start, loosely based on the rather short piece I did for the Orangeberry blog tour (Orangeberry book tour main page, or more specifically a guest post at Just My Opinion)

In that among other things I wrote

I enjoy writing about religion, or more exactly, I enjoy writing about people who have a religious faith. It is simply not possible to write about most ages of past human experience without including the religious life somewhere. Too often in books you come across a few very simple, and in my view quite unrealistic stereotypes. So there is the rabid fundamentalist, who reacts with violence to anything that seems to threaten his or her world view. Or there is the ruthless cynic, who knows it’s all make-believe and just wants to exploit others. Or there is the naïve villager, who is duped and never questions the wider system. Or there is the wise sage who holds to personal spirituality without the inconvenient trappings of any specific religion.

Now, I have at various times in my life mixed with and known people of faith who belong to various different religions, and I have to say that these simple pictures do not do justice to most of them. In terms of religious faith as well as other areas of life, people are more complex, and more interesting, than these stereotypes. They have doubt as well as faith, selfish as well as noble motives, mixed feelings about the religious institution they belong to, and, usually, commitment to a specific form of religion rather than a vague abstraction. They are often keenly interested in other forms of religion as well as their own, even if they think that those are ultimately incorrect.

Castlerigg stone circle, Lake District, England

For today I want to think about the many facets of religious life. The one which seems most obvious, judging from some of the books I read, is that of doctrine. I suppose it seems easy to quantify and approach, and is frequently used as s soft target by hostile writers: “these simple deluded folk really believe that the world was made from a discarded banana skin” or some such. For writers of a scientific disposition, it may seem a natural way to define a religion.

But many people who are spiritually inclined are well aware that this is a very small part of the religious life. In actual fact, doctrine is a serious intellectual pursuit and is frequently, in part, hard to follow. It also typically, in recognition that both the universe and the human organism are fantastically complicated things, has ideas and concepts which at first sight appear completely contradictory. The Egyptians, along with other peoples, were fond of this, making the quest for “Egyptian theology” quite a fruitless one. Some religious traditions have deliberately used these oppositional ideas to try to jog people out of complacency.

But more to the point, doctrine is not the centrally important thing to most religious groups that some writers present it as. To be sure, some groups place a very high store on sound knowledge, but still only as one facet amongst a much larger whole. In the Late Bronze Age world that I write about, doctrine is almost invisible. Readers will get very little sense of the details of Canaanite or Egyptian thinking from my books. The “favourite” goddess in Kephrath is Taliy, hardly one of the better known members of the Canaanite pantheon. Makty-Rasut, the main character in Scenes from a Life, expresses personal devotion to Seshat – again a figure that I suspect most people will need to use Google to learn about!

The second main area that you often find explored in fiction is spiritual experience; this typically gets a positive press, as it seems not specifically to tie in with the details of religion – “Trust your feelings, Luke”. It is certainly true that people recount their personal encounters with the numinous in very similar ways, regardless of their specific personal tradition. It is also true that these experiences are, seemingly, accessible to all, and evidence suggests that many, perhaps most people experience something of this at least once during their lives. Such experiences may be triggered by prayer or praise, but also by natural beauty, or sex, or moments of altruism. But equally, people who experience these moments more than just once in a lifetime have usually been involved with a particular religious tradition for a long time, and are thoroughly steeped in its particular disciplines and habits of thought. Even Luke has to disappear for an unspecified period of time to become trained and effective.

But there are other dimensions of religion which are often overlooked by writers. One is that of personal devotion. It seems attractive to some people to write about big temple ceremonies and lavishly dressed priests or priestesses – but in an agricultural world with no mass transportation, such pilgrimages must have been extraordinarily rare. Social classes below the elite may never have experienced them. For most people, the religious dimension of their life would be expressed in the home, or the village, with their families, friends, or next-door neighbours. Archaeological evidence and ancient texts support each other here, and we have strong evidence of household-level observance of rites and duties. I have equipped Kephrath with a high place, a small stone circle within and around which both religious and social events happen. We know that most settlements in the ancient near east had such arrangements of stones, though we do not know the details of how they were used. Today’s “community centres”, so important to isolated immigrant groups at risk of losing their identity after moving to a new nation, serve a similar purpose of blending religious observance and social need. In the absence of a dedicated religious building, the community centre serves as the focal point. Makty-Rasut, in Scenes from a Life, has a small statue of Seshat that he carries with him as a personal focus for prayer and devotion wherever he is living.

And this brings me on to the final dimension of the religious life for today – the social aspects. For many people in today’s world, in many different religions, social dimensions are in fact the most important ones that define their identity. Many Jews, Christians, Moslems, Hindus, Buddhists, and so on find their main experience of religion in the intricate web of the society around them. Huge numbers of people now and in the past have identified their religion not by rational assent to a doctrine, nor by vivid personal experience, but by the intimacy of their social network, and the place they and their family hold within it. The shape of a society (or a sub-group within society) is fashioned as an expression of religious commitment. Professor Dunbar has written of the cohesive effect of religion within human society (see for example a presentation he gave at a debate on race, religion and inheritance) – and also questioned whether this can or should continue in the future. That is a subject for another post – for today it is enough to recognise the central place of social interactions within people’s religious life. One of the central difficulties Makty has to face, though he does not really know how to articulate this, is how to step outside his familiar social circle into a different world. His statue of Seshat serves as a link back to the world he has known.

Enough for today – in a while I shall be writing about how religion changed between the second millennium Bronze Age and the first millennium Iron Age.

Another stop on the blog tour

Just a quick post tonight, with more to come later in the week hopefully.

The latest blog tour stopover is a guest post at http://www.aspiringbook.com/2013/11/writing-about-past-richard-abbott.html. The topic is “Writing about the past” and is a brief foray (via Star Trek) into the delights of writing creatively within a set of boundary conditions. In the case of Star Trek, the boundaries are set by the franchise holder. For those of us who write historical fiction, the boundaries are the things that are known about the past!

I have also been working on a cover for Scenes from a Life and am so-so happy just now. Needs more work…

Writing, both historical and speculative