Category Archives: Writing

Scenes from a Life – now released on kindle

Well, today is the day – Scenes from a Life is now uploaded to the kindle store. It is live on the Amazon.co.uk store at

http://www.amazon.co.uk/Scenes-Life-Richard-Abbott-ebook/dp/B00H8Y0F7E/

and Amazon.com at

http://www.amazon.com/Scenes-Life-Richard-Abbott-ebook/dp/B00H8Y0F7E/

and will go live internationally at the various other Amazon sites over the next 48 or so hours as soon as the distribution process does its stuff.

Scenes from a Life - kindle cover image

The softback version will be available soon, but the review process for CreateSpace is longer. More news as soon as possible… currently I am waiting for a printed copy to proof-read.

Meanwhile I have done some updates at the Kephrath site. The web page dedicated to Scenes from a Life is at
http://www.kephrath.com/ScenesFromALife.aspx.
An extract, the opening section, can be found at
http://www.kephrath.com/Extracts.aspx?choice=scenes. Enjoy!

Review – Prophet Motive, by John Bimson

The Prophet Motive, by John Bimson, is fundamentally about the narrow divide between understanding and misunderstanding. This swings from the minor and often hilarious slips which constantly hover in the background of English-American conversation, right through to the life- and world-threatening consequences of extremist interpretation of biblical prophecy.

The book was originally written with an expectation that the year 2000 would see an outbreak of millennial doomsdayism. As things turned out, this did not happen on a large scale, and even the excitement about the year 2012 – complete with feature film – was rather understated. However, The Prophet Motive can still be read as an echo of contemporary thought and preoccupation. Like so many former prophets, you just have to move the dates…

The book is undeniably funny, though with a very dry British sense of humour that some people may not click with. If you read it, be prepared to find serious subjects tackled in an offbeat way. The scenes towards the end, with multi-way puns on the word “seal” are something of a tour de force, and show up the military habit of thought as just as rigid and fundamentalist as the extreme religious group they confront. Conversely, if you cannot find humour and a sense of fun in tackling biblical prophecy, fringe views on the end of the world, middle eastern relationships, and archaeology, then this book is not for you. The position is summed up in the closing words, “Laughter… fosters self-critical detachment and has the power to defanaticise. I believe it is no coincidence that the Essenes of Qumran imposed penalties on members who giggled.”

Arnon Gorge, Jordan

The primary technical vehicle for the plot is the investigation of the history of Israel in the couple of centuries before and after the time of Jesus. It is handled with skill and accuracy, including the state of Dead Sea Scroll research up to the time of writing the book (the late 1990s). The wide variety of motives that different people and groups have for looking at this period is captured, together with the whole spectrum of ability levels and preconceptions.

The book is very much plot driven, and only one or two of the characters change to any real degree from start to end. I did feel that the very last episode (Project Peter, Phase 2) was rather too easily dismissed as a non-event in favour of the climax of the personal quests of the two main characters. I suspect that Phase 2 was only really brought in for two reasons. First it takes the triumphal edge off the successful struggle against Phase 1. Secondly it allows a very cool snippet of humour turning the tables on the millenarianism that dominates the book. On balance, though, a potentially much more serious threat is casually discarded in a few words.

Sadly The Prophet Motive is currently out of print owing to the demise of the small press who took the project on, and at the time of printing no thought was given to electronic publication. It is to be hoped that this might change with the revolution in publishing which has happened in the last few years. Technically the book has been well proof-read and well edited, and I think it has good mileage in it still.

I really enjoyed this book, and think it would be accessible to a general audience. Certainly it helps already to know something about the areas tackled – the interpretation of prophecy, the nature of archaeological work and evidence, and so on. However, there are enough explanations along the way that if you did not know much about (say) the Dead Sea Scrolls beforehand, you will get to know what you need.

For me this was a four star book. I don’t often read fiction set in the present day, nor stories that are quite so plot-focused. So for me personally, the book missed a few elements which I look for. However, I would certainly recommend it as an exciting and entertaining read, and am very glad to have come across it. I suspect that people who are more familiar with this genre might rate it with five stars.

Finally, a disclaimer – John was my PhD supervisor a few years ago when I was working on Triumphal Accounts in Hebrew and Egyptian. However, that was long enough ago, and on a sufficiently different area of biblical and related studies, that I don’t feel this has compromised my objectivity at all.

Writing about religion

I have been wanting for some time to do occasional posts on the subject of religion in the second millennium BCE. Today’s post is a general start, loosely based on the rather short piece I did for the Orangeberry blog tour (Orangeberry book tour main page, or more specifically a guest post at Just My Opinion)

In that among other things I wrote

I enjoy writing about religion, or more exactly, I enjoy writing about people who have a religious faith. It is simply not possible to write about most ages of past human experience without including the religious life somewhere. Too often in books you come across a few very simple, and in my view quite unrealistic stereotypes. So there is the rabid fundamentalist, who reacts with violence to anything that seems to threaten his or her world view. Or there is the ruthless cynic, who knows it’s all make-believe and just wants to exploit others. Or there is the naïve villager, who is duped and never questions the wider system. Or there is the wise sage who holds to personal spirituality without the inconvenient trappings of any specific religion.

Now, I have at various times in my life mixed with and known people of faith who belong to various different religions, and I have to say that these simple pictures do not do justice to most of them. In terms of religious faith as well as other areas of life, people are more complex, and more interesting, than these stereotypes. They have doubt as well as faith, selfish as well as noble motives, mixed feelings about the religious institution they belong to, and, usually, commitment to a specific form of religion rather than a vague abstraction. They are often keenly interested in other forms of religion as well as their own, even if they think that those are ultimately incorrect.

Castlerigg stone circle, Lake District, England

For today I want to think about the many facets of religious life. The one which seems most obvious, judging from some of the books I read, is that of doctrine. I suppose it seems easy to quantify and approach, and is frequently used as s soft target by hostile writers: “these simple deluded folk really believe that the world was made from a discarded banana skin” or some such. For writers of a scientific disposition, it may seem a natural way to define a religion.

But many people who are spiritually inclined are well aware that this is a very small part of the religious life. In actual fact, doctrine is a serious intellectual pursuit and is frequently, in part, hard to follow. It also typically, in recognition that both the universe and the human organism are fantastically complicated things, has ideas and concepts which at first sight appear completely contradictory. The Egyptians, along with other peoples, were fond of this, making the quest for “Egyptian theology” quite a fruitless one. Some religious traditions have deliberately used these oppositional ideas to try to jog people out of complacency.

But more to the point, doctrine is not the centrally important thing to most religious groups that some writers present it as. To be sure, some groups place a very high store on sound knowledge, but still only as one facet amongst a much larger whole. In the Late Bronze Age world that I write about, doctrine is almost invisible. Readers will get very little sense of the details of Canaanite or Egyptian thinking from my books. The “favourite” goddess in Kephrath is Taliy, hardly one of the better known members of the Canaanite pantheon. Makty-Rasut, the main character in Scenes from a Life, expresses personal devotion to Seshat – again a figure that I suspect most people will need to use Google to learn about!

The second main area that you often find explored in fiction is spiritual experience; this typically gets a positive press, as it seems not specifically to tie in with the details of religion – “Trust your feelings, Luke”. It is certainly true that people recount their personal encounters with the numinous in very similar ways, regardless of their specific personal tradition. It is also true that these experiences are, seemingly, accessible to all, and evidence suggests that many, perhaps most people experience something of this at least once during their lives. Such experiences may be triggered by prayer or praise, but also by natural beauty, or sex, or moments of altruism. But equally, people who experience these moments more than just once in a lifetime have usually been involved with a particular religious tradition for a long time, and are thoroughly steeped in its particular disciplines and habits of thought. Even Luke has to disappear for an unspecified period of time to become trained and effective.

But there are other dimensions of religion which are often overlooked by writers. One is that of personal devotion. It seems attractive to some people to write about big temple ceremonies and lavishly dressed priests or priestesses – but in an agricultural world with no mass transportation, such pilgrimages must have been extraordinarily rare. Social classes below the elite may never have experienced them. For most people, the religious dimension of their life would be expressed in the home, or the village, with their families, friends, or next-door neighbours. Archaeological evidence and ancient texts support each other here, and we have strong evidence of household-level observance of rites and duties. I have equipped Kephrath with a high place, a small stone circle within and around which both religious and social events happen. We know that most settlements in the ancient near east had such arrangements of stones, though we do not know the details of how they were used. Today’s “community centres”, so important to isolated immigrant groups at risk of losing their identity after moving to a new nation, serve a similar purpose of blending religious observance and social need. In the absence of a dedicated religious building, the community centre serves as the focal point. Makty-Rasut, in Scenes from a Life, has a small statue of Seshat that he carries with him as a personal focus for prayer and devotion wherever he is living.

And this brings me on to the final dimension of the religious life for today – the social aspects. For many people in today’s world, in many different religions, social dimensions are in fact the most important ones that define their identity. Many Jews, Christians, Moslems, Hindus, Buddhists, and so on find their main experience of religion in the intricate web of the society around them. Huge numbers of people now and in the past have identified their religion not by rational assent to a doctrine, nor by vivid personal experience, but by the intimacy of their social network, and the place they and their family hold within it. The shape of a society (or a sub-group within society) is fashioned as an expression of religious commitment. Professor Dunbar has written of the cohesive effect of religion within human society (see for example a presentation he gave at a debate on race, religion and inheritance) – and also questioned whether this can or should continue in the future. That is a subject for another post – for today it is enough to recognise the central place of social interactions within people’s religious life. One of the central difficulties Makty has to face, though he does not really know how to articulate this, is how to step outside his familiar social circle into a different world. His statue of Seshat serves as a link back to the world he has known.

Enough for today – in a while I shall be writing about how religion changed between the second millennium Bronze Age and the first millennium Iron Age.

Coachman, the ongoing book tour and other news

Well, several things to talk about today. First and foremost, Erin over at Bookworm’s Fancy has kindly taken another guest post of mine, this time a review of Coachman by Sue Millard (see http://bookwormsfancy.com/2013/10/coachman-by-sue-millard-guest-review-by-richard-abbott/. I really enjoyed both reading the book and writing the (5*) review – and also having the opportunity to wander a few minutes down the road from work and seeing what some of the locations look like today. For fun, I have included another photo here, this time of the current building on the site of the coaching inn that features in the book (The Swan with Two Necks). For more about what I thought, and more pictures, check out the Bookworm!
The former Swan location

Now, as well as that there have been another few stages in the Orangeberry blog tour:

Finally I have found time for some book reviews! Here are the links on Goodreads…

That’s all for now, some more updates about Scenes from a Life will follow shortly…

Ancient Egyptian dream interpretation

Well, proof-reading Scenes from a Life is going nicely, but it could hardly be called gripping work, however necessary it is. So in parallel with that I am going through the author’s notes section at the end of the book and filling in parts of that. One of the sections is on the way that ancient Egyptians interpreted dreams – which I find particularly interesting – so I thought I would copy chunks of it into a blog article.

Basically, the matter arises because the main character Makty-Rasut is rather shaken out of his comfortable life by a series of dreams, which are interpreted in part for him by a priest called Senenptah. Here is the current version of this part of the notes… The white sandals turn up in several of Makty’s dreams.

Egyptian dream interpretation sounds entirely random if you see the texts just in translation, but in the original language it makes far more sense. It was largely based on ideas of word-play – if you dreamed of one thing then the interpreter would think about other objects or situations that sounded similar or had similar verbal roots. There was also, as with dream theory in other cultures, a strong emphasis on identifying whether the situation would turn out as favourable or unfavourable for the dreamer. I have largely ignored this second strand of interpretation in Scenes from a Life, but in reality Senenptah would routinely be trying to ascertain from Makty’s dream accounts when an action should be taken or avoided to achieve a good outcome.

Now, interestingly, similar ideas are used in some modern schools of dream interpretation, especially those having a Jungian influence. In these, the unconscious processes active in dream sleep may well use word plays or visual puns to transfer meaning and significance to the conscious mind. So, hypothetically, dreaming of falling over – taking a trip – might suggest a journey, or even a drug experience.

Back with Makty-Rasut, the connection Senenptah makes between white sandals and a journey with auspicious conclusion is based on an actual dream text we have, specifically papyrus Chester Beatty III. This dates from less than a century before Makty’s time, and was found at the royal workmen’s village at Deir el Medina, on the west bank of the Nile opposite Luxor and so very close to Makty and Senenptah’s homes. It is currently in the British Museum. It contains a large number of single line interpretations, each of the form “If a man sees himself in a dream in [some situation] then: [interpretation]“. Each interpretation has a brief summary as either GOOD or BAD, followed by a brief explanation. The words GOOD or BAD are picked out in red ink rather than the normal black.

The relevant line of this text is “If a man sees himself in a dream shod with white sandals, BAD; it means roaming the earth“. Normally in Egyptian culture, roaming the earth would be perceived as BAD as it would mean being uprooted from the social network in which the person was embedded – family, friends, work, ancestral burials and so on. A journey would especially be seen as BAD if it involved travelling out of the Beloved Land (Ta Meri in Egyptian) as it carried the risk of having to be buried outside the land’s borders. In Makty’s case, the journey turns out to have a GOOD ending, but this is because of the particular circumstances of his life rather than normal ancient Egyptian thinking.

One of the several themes of the Egyptian poem The Tale of Sinuhe concerns the anxieties felt by Sinuhe himself and others who hear of his situation, at the thought of burial in a remote and rather uncivilised place. Likewise, one of the great motifs of his reconciliation and return to Egypt was the promise that a proper burial would be possible when the time came. The Tale of Sinuhe was composed several centuries before the setting of this story, but remained popular for many years, and copies have been found near Luxor, in particular at the workmen’s village.

The other word associations Senenptah makes for Makty are invented, but credible given the nature of the scheme of interpretation. Perhaps in time archaeologists will uncover an Egyptian text which confirms them! For example, when Senenptah asks Makty if he has seen a royal sceptre, or a large dish, the words used sound like (and are spelled very similarly to) words for Asiatic and north respectively. These sorts of clues would suggest to the priest that Makty was being directed by his dreams to travel north into the Asiatic province, here called the Kinahny lands. Many of the other details that are picked out in the dreams have a similar basis; others are just regular dream imagery that readers can enjoy deciphering for themselves.

All good fun… and a nice intermission from proof-reading!

All the Scenes from a Life are there!

Well, it’s true – just last night I finished the last sentences of Scenes from a Life. Of course, that is far from saying it is finished… for one thing I have to do my own read-through and catch as many of the little slips and errors as I can find. And get some external advice on this as well. And finish the author’s notes at the back, which will have a mixture of historical and textual notes including a paragraph or two on how ancient Egyptians interpreted dreams.

So there’s plenty to do yet, but this seems to me to be a good milestone to celebrate.

Other news – the Orangeberry tour continues with a guest post at Quality Reads UK. This was a brief look at how to present religious institutions in fiction – lots of people go down the route of large temples, structured hierarchy etc, but I wanted to capture something much less formal that would operate on a local village scale. The next event on the book tour is on October 1st.

I’m hoping to do a short series of more historically-oriented blog posts in a while, partly prompted by the very short guest posts I wrote for the blog tour. So look out over the next month or so for some bits and pieces on life in the second millennium… BC.

Book review – “The Blazing World” by Margaret Cavendish

Today’s blog is a book review, but unusually for me of a work by a long-dead author, Margaret Cavendish, Duchess of Newcastle-upon-Tyne (1623-1673). She published The Blazing World back in 1666, the same time that John Bunyan was serving a prison sentence for his beliefs and Samuel Pepys was writing about the Great Fire of London. I came across it in a list of seminal female science fiction writers which circulated on Google+. Nowadays it is available on kindle at a very reasonable price, and no doubt elsewhere as well, a fact that might well intrigue and amuse Margaret.

As I go on to say in the review, the book is not for readers who crave a fast-paced plot with regular cliff-hangers. Its concerns are very different from those of many modern authors. But as a window into the forward-thinking perspective of an older time, and as a precursor to much modern writing, it deserves better exposure. Happily, it is taught as part of some English literature university courses here in the UK, and available electronically to an interested modern reader. Long may this situation last!

Book Cover - Margaret Cavendish's Blazing World

==============The review===========

I first heard about Margaret Cavendish’s The Blazing World through a friend on Google+ and was intrigued. A female science fiction writer from the time of the Plague and the Great Fire of London? Since the kindle version is so extraordinarily cheap I had to follow this through, and am very glad that I did.

First though, let me say that not all readers will enjoy this book. It is, naturally enough, written in an older form of English in which many words do not have quite the same sense as today. The most obvious example is “artificial“. Today, if we see “artificial” in contrast to “natural” we tend to think that using “artificial” suggests that the thing is lacking in some way, clunky in comparison with the natural. But in the 17th century, it was used to indicate that something has been made by art, or artifice if you like, and so reveals something of ingenuity or creativity, as opposed to a raw product. A precious stone just out of the ground would be natural; the polished and shaped gem would be artificial.

Also, Margaret had no interest in fulfilling the plot expectations of some modern critics. Many things do happen, and I found the overall imaginative sweep gripping, but you won’t find a visceral cliff-hanger every few pages. Personally I liked this and it was a refreshing change from some of the formulaic modern material one encounters.

Finally, Margaret is just as interested – perhaps more so – in the philosophical shape of her world as the material one. There are descriptions of the physical layout of the Blazing World and how it might be accessed from our own. But there are also long sections in which one of the main female characters engages in intellectual debate with some of that world’s schools and learned institutions. Some of these are sympathetically presented, others plainly satirical, though you would have to know more than I about the intellectual landscape of her time to really appreciate the satire. It’s a bit like reading parts of Dante and trying to puzzle of why a particular person is being lampooned.

All in all, some modern readers would become impatient and frustrated with the book. For those who persevere with it, the gentle charm of the book draws you in. There is an inter-planetary war, and the invention of devices like submarines and torpedoes, but the real interest is in the intimacy of human contact, and the ultimate superiority of the world of the imagination over the world of external things. Particularly striking examples are “Why should you desire to be Empress of a Material World… when as by creating a World within yourself, you may enjoy … as much pleasure and delight as a World can afford you“, and again “if any should like the World I have made.and be willing to be my Subjects, they may imagine themselves such… but if they cannot endure to be Subjects, they may create Worlds of their own“. This theme increasingly comes to drive the narrative.

I became convinced as I read that modern authors such as Arthur C. Clarke have been influenced by The Blazing World. I was particularly reminded of the passage from 2001: “So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven–or hell” – though in that case Clarke was thinking purely concretely in terms of stars in our galaxy, rather than imaginatively.

So five stars from me, along with a sincere wish that in whatever form Margaret might yet survive, she is able to receive modern appreciation of her work. This tale is not for everyone, certainly not for those who are impatient for a high-octane or erotically-charged plot, but personally I thoroughly enjoyed meeting this work and its author.

Orangeberry blog tour progress

Well, the Orangeberry tour is a few days in and so far there has been a variety of posts and the like. Before listing those, here’s a quick snap from the British Museum today (apologies for the slight glass reflection to be seen). This rather charming scene is of Nebamun’s anticipated garden in the afterlife, and as well as trees, fruit, birds etc features a goddess figure leaning out of one of the trees (top right) offering food and drink to Nebamun.

Nebamun garden scene

Anyway, the list of blog tour activities so far is as follows:

Full details of future items may be found at http://www.orangeberrybooktours.com/2013/09/ob-summer-sizzle-richard-abbott/.

Enjoy!

Catching up with things

OK, the last few days have been a catch-up time. For one thing I have posted up four reviews of books I read while away travelling. The simplest way to find them all is to go to http://www.kephrath.com/BookReviews.aspx and check out the most recent four items. There you will find a quick summary of them. Or you can go to each of Amazon, Goodreads and Shelfari and read the full versions.

The books were:

  1. The Patterns of Chaos, by Colin Kapp – an old science-fiction book I rediscovered,
  2. If Only You Knew, by Anastasia Abboud – a contemporary romance which I enjoyed for the centrally-important cross-cultural aspects,
  3. Skater in a Strange Land, by David Frauenfelder – a sort of cross-over science-fiction / fantasy book that mostly defies description but kept me reading avidly to the end, and
  4. The Ghost Bride, by Yangsze Choo – another cross-over, this time between historical fiction (1890s Malaya) and fantasy.

In just a day or so In a Milk and Honeyed Land is taking part in the oddly-named Summer Sizzle book tour – odd because over here at least the temperature has fallen well below sizzling! But check out the following link:
http://www.orangeberrybooktours.com/2013/09/ob-summer-sizzle-richard-abbott/.
There’s quite a schedule of blogs, reviews and what-have-you to follow over the next couple of months, with several events just in the next week. I’m sure there will be something for everyone in all of that.

There’s more to post on other subjects too, but that can wait for another day!

Review – ‘Across the Waters of Time: Pliny Remembered’

Cover: Across the Waters of Time I came away from Ken Parejko’s Across the Waters of Time: Pliny Remembered with very mixed feelings. On the plus side – and these are very large plus features – this is a beautifully conceived book, with a powerful and compelling imaginative sweep and some marvellously lyrical passages of writing. The presentation of Pliny’s interior thought-world, and its evolution through his lifetime, is splendid, and the historical events Ken chooses to illuminate this come over as pivotal to Pliny, and in some cases centrally important to the entire first century AD. It is a book which can be highly recommended in these grounds alone.

I had not realised before – having given up Latin studies too early to get beyond Julius Caesar’s wars in France and Britain – just how close Pliny had been to the key figures of his age. He counted among his friends the emperor Vespasian, the Jewish author Josephus, and a wide circle of other political and intellectual people.

But the book ultimately is more concerned with the interior world than the exterior. Pliny’s approach to history, and most especially to the natural world, have become foundation stones in our own systems of evaluation and classification. We follow how these ideas slowly crystallised in his mind, triggered by external events, and coloured always by his advancing age and frailty. By coincidence, if there is such a thing, I started reading this just after visiting the British Museum’s superb exhibition on the Vesuvius eruption which destroyed Pompeii and Herculaneum – and killed Pliny along with many others. So I had a very clear idea of the material world in which Pliny lived, which gave an extra dimension to my reading.

Sadly, though, the book has been finished very carelessly. There are a great many spelling and grammar errors, accidental use of similar words (swapping her for here, and such like), and problems of formatting. There is even an email address at one point in my version, presumably dumped in by an auto-correction feature of the software Ken used. I can easily live with a few of these kinds of slips, but there were so many that they became a serious impediment.

I also did not like the way Ken substituted modern place names and modern turns of phrase. In the early parts of the book these are largely absent. So the chapter set in Germany by and large uses the contemporary Roman names for towns and other places. The reader is immersed in Pliny’s world, and must make the personal effort to cross the waters of time and find out what they mean in modern terms. But increasingly we find modern place names used, and so are pulled away from the ancient world. Likewise the word “ok” (or variant spellings) appears with increasing frequency as the book proceeds. I’m sure the Romans had an equivalent for this slang phase, but this word grated on me. Again, on a purely technical level this time, the Kindle text is missing the standard navigation aids such as table of contents, and the ability to jump to and fro between chapter headings.

All these things, especially given they occurred more and more frequently as the book proceeded, suggested to me an air of neglect. Ken has conceived what I believe to be an important and beautiful book, but he has neglected to care for it enough to finish off the details. Even a small amount of extra time spent on the presentation and preparation, or another round of proof-reading, would have eliminated a large number of these mistakes. It is very unfortunate that this kind of nurturing care did not take place. There is a character in the book called Aulus, who because of birth deformities is exposed in the countryside and left to die. A very moving passage relates the different reactions of people caught up in this event. It is an experience which continues to haunt Pliny throughout his life. Sadly, Aulus’ story is rather mirrored by that of the text itself.

For depth and sweep of ideas, and for the way in which Ken has captured the inner world of a great and influential thinker, Across the Waters of Time deserves five stars. But the faults of execution, and the sad neglect of what could have been a beautiful text, mean that I can only give it four. Readers who are willing to live with the flaws will, I believe, discover a fascinating tale here.

The review will be posted to Amazon and Goodreads shortly.