The Flame Before Us – another piece of the cover

Today it is time for another portion of the cover design for The Flame Before Us, together with another portion of the book itself. In terms of actual progress towards publication, the Author’s Notes section is now complete, and proof-reading the whole is well under way.

Partial cover - stepsFirst, the picture. These are in fact Late Bronze Age steps, though not from the specific place described in the story. These are from Megiddo, somewhat to the north of Ramoth Hurriy where the story places them. Where do the steps go in The Flame Before Us? That’s a portion which I have not yet shared in any extracts…

Now for today’s section. It follows one of the newcomers into the land, Nikleos, a member of the Sherden clan led by Antos. It is in a rural setting in what is now the borderland between Israel and Lebanon.

Nikleos’ clan camped for the night in a valley bowl far enough beyond the crest of a ridge that their progress was clear. It had been a long drag upwards through the afternoon. The character of the land had changed again as they had worked their way south, and their pace had slowed considerably. Although the land was flatter, it was clothed with stands of low trees and scrub land. It was not like the great forests that stood further north and nearer the coast, but it was dense enough to seriously impede progress.

The sun was still quite high in the early spring sky when Antos blew his leader’s horn to call a halt, but a considerable time passed before they made camp. Finally the wagons were arranged in their circle, the beasts were inside, and fires had been set. The boys who had been tasked with the day’s hunting had all come back, prey in hand, and the smell of cooking drifted across the encampment.

He shook his head. With the young men constantly away with the raiding parties, the group was never properly mixed. Boys, older men, and women of all ages filled the camp and shared out the tasks that would normally fall to the lads. Perhaps in a few months they would settle again and life would return to its usual pattern.

Nikleos watched as the women of his family prepared the food. It crossed his mind that Kastiandra was too thin, but that would not change until they found a place to settle. All of them would stay too thin while the journey continued. When he thought back to their life on the other side of the sea, she had had a much more attractive roundness to her form which had been peeled away from her on the journey.

There, in their farmstead just outside the village where Antos had been arkon, there had been lamb and mutton whenever they wanted, plentiful butter and cheese, and honey always available from the bees who inhabited a nearby stand of trees. They had left that all behind when they set sail for Wilios. The men, himself included, had always boarded the quick ships to raid isolated towns or islands, but this was something new.

Families and clans from many different valleys and coastal bays had united that time, stirred up by Akamunas to seize the great prize of Wilios. It had been a fine sight, all those ships together crossing the water. The siege had been long and hard, and it had exposed violent disagreements among the clans themselves, but in the end they had done it. The enterprise had become too big, too prideful, to halt.

The final capture and plunder of the city had soon been turned into song, but it had left his people with a hard choice. Antos had led his people onwards, instead of returning over the sea. Many other village arkons had done the same, eager to find other cities with easy wealth to gather, quite sure that any of them would be easier than Wilios. And so now here they were, heading south through this land of which they knew nothing, unsure where or when to settle.

Don’t miss the next of the cover components being revealed!

Author interview – Antoine Vanner

Today I am delighted to welcome Antoine Vanner to the blog, who has kindly answered a number of interview questions. This is a follow-on to my review of Britannia’s Shark a few days ago.

Antoine is the author of (to date) three novels on the life and exploits of a Royal Navy captain of the late 19th century, Nicholas Dawlish.

Cover image - Britannia's Wolf Cover image - Britannia's Reach Cover image - Britannia's Shark

I have reviewed each of these at
Britannia’s Wolf
Britannia’s Reach
Britannia’s Shark

Q. You write about an unusual period in naval fiction – the late 19th century. What first sparked your interest in this era?

A. There are two parts to the answer, the first related to the period and the second to the naval aspects.

Antoine Vanner picture 1I’m fascinated by the political, social and economic progress made by the Western World in the second half of the 19th century and I’m equally intrigued by the gigantic steps taken by science and technology at the same time. Like most Baby Boomers I had grandparents who had been born and had come to maturity in the last decades of that century and from them I learned enough to regard it as “history you can touch”. The scientific progress – achieved by titanic figures like James Clerk Maxwell, Pasteur, Mendeleev, Darwin, Röntgen, Koch, Ronald Ross, Lord Kelvin and a myriad others – transformed understanding of the world and heroic engineers – such as Edison, Tesla, Marconi, Parsons, Bell, Bessemer, Roebling, Greathead, Bazalgette and many more – established technologies that have flourished and spun off further developments ever since.

A parallel revolution occurred in naval technology and it was to have profound political and historic implications not fully recognised at the time. In the 1850s, for example, senior commanders had served in sailing warships in the Napoleonic Wars. Yet officers who entered the service in that decade – such as the later Admiral Lord Fisher – were to create the navy that fought World War 1. They had the vision during their careers to harness developments in metallurgy, hydrodynamics, propulsion, breech-loading artillery, radio, torpedoes and even aircraft. New navies were to arise to challenge British supremacy – those of Germany, Japan and the United States – and in the process contribute to a slide towards the two World Wars in the 20th Century.

Q. The first Dawlish book, Britannia’s Wolf, was set mainly in and around the Black Sea. Britannia’s Reach was largely in South America. The latest, Britannia’s Shark, spans from the Adriatic to the Americas. Is his globe-trotting career typical of officers of his time? How did their experience of other lands and other cultures feed back into English society?

A. It’s remarkable just how much Victorians got about, and not just explorers like Burton, Livingstone, Kingsley and Stanley, but even people we think of as somewhat staid figures. One of my favourite authors, Anthony Trollope, who is always associated with stories of contemporary British society, travelled to Australia, to United States (in wartime and later, crossing the Rockies) the Middle East and South Africa (in Natal just before the Zulu War). Britons and American who could afford it spent holidays in Egypt, and the Holy Land seems to have been thronged with tourists. Some of the most amazing travellers were women – my favourite is Isabella Bird. She was undaunted by rough travel in America, India, Kurdistan, the Persian Gulf, Iran, Tibet, Malaysia, Korea, Japan and China – the list is endless. Her books are massively entertaining and her photographs are superb. And of course military and naval officers got to just about everywhere, either in the line of duty or on private expeditions during leaves of absence.

The result of much of the travel was creation of academic and other institutions in Britain dedicated to the study of foreign culture and languages, and to medical, zoological, botanical and geological research based on insights gained. Those institutions are with us today and in many cases established entire new disciplines.

Q. So, Dawlish is very well travelled, and I know that you are as well. Do you try to personally visit the sites of the stories or rely on more general research? Are the stories sparked by your own travels?

A. The novels published so far, and those in the pipeline, are all based on a combination of a greater or lesser knowledge of the locales and on interest in the historic events in those places in that period. Some of this reflects broad experience of my work and residence, but on occasion it’s necessary to go for much targeted research, either at specific locations, to get the geography right, or to visit museums to see various artefacts. I’ve been to over 50 countries, for residence, work or personal travel, and in every case I’ve made myself familiar with the broad – and sometimes detailed – history. And history spins off stories!

Q. You have often mentioned how the Royal Navy of Dawlish’s era was, of necessity, skilled at working on land as well. Do you see this as a common theme of navies in history? Is there something about a life at sea which promotes a flexible and creative approach to problems?

A. The ad-hoc “naval brigades” who the Royal Navy landed so often, and which ranged in size from a few dozen to several hundred men, were the Rapid Response units of their time. Since radio had not arrived, commanders in remote locations had to be ready to take quick decisions without more senior approval and this bred very self-reliant characters. I suspect that the phenomenon was common in most large navies prior to the invention of wireless. And as regards life at sea then yes, self-reliance is almost a sine qua non. Even today a ship is an isolated, self-sustaining island once it has left port and such self-reliance is needed not only in personal terms, but as regards structure, organisation and discipline. Whether on a Greek trireme or a modern ballistic submarine, each crew member needs to know his or her job perfectly. The price of anything less can be disaster.

Q. Continuing this theme, I have a sense from your writing that you see great continuity between seamen of Dawlish’s age and our own. Looking the other way, do you think this is true of older generations? Would, say, a Napoleonic captain identify with Dawlish? A Viking? A Roman or Phoenician?

A. Externalities – especially technologies – change but human capacities do such much more slowly, if at all. When one reads of the past one is struck by just how professional naval personnel were at all times in the past, seen by the standards of their own time. When one visits a sailing warship like HMS Victory or USS Constitution one is struck by the labyrinthine complexity of their standing and running rigging, by the skill needed to manoeuvre in adverse winds, waves and currents, by the organisation needed to bring the guns into action, sometimes for hours on end. By the standards of the time officers of such vessels needed to be as competent as those on an aircraft carrier today. The same applies to seamen of earlier ages. Given a time machine, and appropriate training opportunities, I suspect that many from the past would come very quickly up to speed on modern warships.

Q. I know that military servicemen have found your writing about war very faithful to their own experience. Have you been caught up in conflict yourself?

Antoine Vanner picture 3A. There is significant military experience in the family, both direct and via in-laws, and some of this very obviously rubs off. I myself have worked in a number of trouble spots and indeed once managed a company in an area torn by a vicious terrorist campaign, in which our operations, and I myself, were targets. One gets used to living with, and planning for, some very nasty risks. And just when I thought it was safe, when I retired about ten years ago, I found myself caught on a personal basis in a murderous attack in Africa in which eight were killed. A 200 yard sprint under AK-47 fire proved Churchill’s alleged statement that “There’s nothing as exhilarating as being shot at – and missed!

Q. I find your blog http://dawlishchronicles.blogspot.co.uk/ a fascinating compendium of naval history. Could you tell us a little about your research for this and the sources behind it?

A. I thought initially as the blog being somewhere where I could post the odd article, based either on personal experience, or on some aspect of my general historical knowledge, or on information arising from my book-focussed research which I might not use directly in the actual writing. I found it a pity to let the latter go to waste. The response to the blog turned out to be amazing – people really like it and the readership numbers continue to grow. My articles aren’t detailed academic ones, but rather more like the sort of informal story-telling one might indulge in when relaxing with friends. I don’t think I’ve blogged about anything I didn’t know something about before – though sometimes very superficially. Remember that in over 60 years of reading, and with a reasonable memory, one accumulates a lot of information – but the items still often need a fair amount of library and internet research. The occasional very personal pieces – like those I wrote about having toured Syria just before the war there, or visiting the Alzhir Women’s Gulag in Kazakhstan – can be quite emotionally draining to write.

Q. Tell us a little about your writing process – research, drafting, polishing etc.

A. I’m now writing my seventh novel, though only three have been published so far. One of them is a non-Dawlish novel dealing with contemporary African issues. It’s quite a sombre book and reflects personal experience. I’m uncertain as to when and how to publish it. As regards the Dawlish Chronicles I like to have one book at least, and indeed two at present, “on the back burner”. By this I mean that I finish a first draft, correct and rewrite as necessary, then lay it aside while I’m writing the next one. I find that though I don’t read the back-burner novel for the nine months or so that it takes me to write the next one, my subconscious keeps challenging it as regards plot, action and sequence. I jot down any conscious insights also. When I come back to do my next revision after some nine or ten months I find myself reading very critically to start and Imay make very significant changes indeed. The dictum that “writing is rewriting” is always valid and in extreme cases one must be prepared to delete even entire chapters, write new ones, and restructure. The fourth Dawlish Chronicles novel will be getting the full revision treatment in mid-2015, aimed at publication in the fourth quarter.

Q. I suspect that you are well on with the next Dawlish novel, but can’t imagine you want to tell us too much about it yet! Can you whet our appetite by outlining some of the wider political scene that faced the Royal Navy at this time?

A. Given the ramparts of confidentiality that the shadowy Admiral Topcliffe erected around the events in questiob, and despite the cooperation of official archivists and the benefits of the Freedom of Information Act, I would hesitate to answer that one just yet! Some embarrassing incidents are involved for which a once-hostile, now-friendly nation was responsible and I’ll have to tread very carefully. But with luck, I hope all difficulties can be overcome and the full story can finally be told in about ten months’ time!

Antoine Vanner in libraryAnd finally – Thanks Richard for taking the time to interview me! It’s been as much a pleasure to answer your questions as it is to know you and your work!

The pleasure is mine, Antoine! Check out online information about Antoine by following the links below:

Review – Britannia’s Shark, by Antoine Vanner

Readers will remember that I was not going to be doing so many reviews on the blog this year. This one is an exception, since I am about to do an author interview with Antoine – it should go live over the weekend sometime.

Britannia’s Shark is the third published naval fiction book by Antoine, following the exploits of the 19th century Royal Navy captain Nicholas Dawlish. The books can each be read separately and there is adequate contextual material to fill in any gaps the reader might have.

Buy Britannia’s Shark from Amazon.co.uk
Buy Britannia’s Shark from Amazon.com

Cover image - Britannia's SharkDawlish’s career is characterised by a series of secretive operations to further British interests, well outside the publicly visible face of the Navy. He is one of the servicemen of that age who were willing to experiment with a wide range of emerging technologies, which together were rapidly transforming sea travel and sea warfare from the sailing ships of Nelson’s time to the ironclads of the First World War. Indeed, other than ship-based aircraft, all of the ingredients of modern naval warfare were well formed during Dawlish’s lifetime.

The main emerging technology of this story is the submarine. Antoine vividly captures the claustrophobic horror induced in a man who has been used to open horizons and fresh air, when faced with the constricting darkness, clutter, and polluted atmosphere encountered in this very early prototype. Only total commitment to his calling, and complete acceptance of the necessity of his actions, could overcome Dawlish’s visceral rejection of his situation. The mixed reception of the submarine as a weapon is clear – recognition of its military value alongside repugnance at connotations of cowardice and deceit.

I enjoyed this story considerably more than its predecessor. For one thing there was a much richer, and (for me at least) a much more interesting blend of politics and cultural dynamics alongside the ship and land based fighting. For another, Dawlish’s wife Florence reappears in a crucial role throughout this book, whereas she was relegated to a very minor scene in Britannia’s Reach. Florence is a fine character, and a splendid companion for Nicholas, so it was very pleasing to see her courageously facing danger alongside him.

The political backdrop is also fascinating, as Dawlish is forced to deal with several different factions, all competing for influence and technological advantage. British, Irish, American and Caribbean interests intersect in the story, providing a shifting ground of ambitions and frailties on both national and personal scales. Often in the story – as so often must happen in real service life – respect and friendship cut across the lines drawn by governments.

On a technical level, the book has not been quite so thoroughly edited and proofread as previous volumes, but the typographic slips are still few and far between.

In short, a fine addition to the life story of Nicholas Dawlish, and the extra human and political dimensions explored here push this one up to 5* for me. I shall be looking forward to the next in the series as and when it appears.

The Flame Before Us – complete draft

Some very exciting news for this week – I now have a complete end to end draft of The Flame Before Us and am now heading into a full proofreading cycle, together with adding in things like Author’s Notes at the end. All being well I am on track for a release around Easter as planned.

To celebrate this event, here are two things – firstly one element in the cover design, which as usual has had creative and technical input from Ian Grainger (www.iangrainger.co.uk). Other cover elements will be shown in due course leading up – eventually – to the full reveal…

Tablet image - The Flame Before Us cover portion

The Ugaritic cuneiform text reads as follows:

If the strong attack your strongholds –
    warriors your walls –

The text is adapted from part of an Ugaritic ritual, complete with ceremonies and prayers for protection over the city and its gates. Sadly, one day around 1180BC, the ritual proved ineffective as invading soldiers stormed the walls and overpowered the defenders.

So to go with this, the second item is a short extract seeing this moment through the eyes of Anilat, a woman of the city, together with Damatiria, the wet-nurse to her children, known to the family as “Auntie”.

Damatiria stiffened suddenly, and her fingers seized hold of Anilat’s shoulder. A sudden flame had come up from the docks. As Anilat watched, a second building caught light as the flames leapt from one roof to the next. Auntie was already moving across the room, pulling at a pile of clothes.

“You must dress yourself, lady. And not in fine stuff. In something more common, like we talked about in the evening.”

Anilat stayed at the window, not understanding what was happening. The flames at the harbour were still spreading. Off to one side, in the direction of the lesser gate, another fire appeared. In the distance she started to hear noise from the fires. She shrank back a little as running footsteps sounded at the end of the alleyway. Auntie was pulling her away into the room.

“Put these clothes on, mistress, put them on now, there’s no time to lose just standing looking at all this.”

Anilat looked blankly at her.

“It’s just a fire down at the docks, Auntie. Why do you want us to get dressed?”

Auntie handed her the bundle of her clothes and she started dressing without thinking. Then she stopped again, her outer smock loose in her hand. Auntie was shaking the children awake.

“Don’t wake them, they’ve only just gone off properly.” She stopped as Auntie turned on her, an unexpectedly fierce look on her features. There was more noise from outside, distant shouting. She went suddenly cold.

“It is just a fire, surely?”

Her daughter was already awake, and the twins were stirring, grumpy and uncomprehending. Auntie was rapidly, efficiently pulling clothes onto them.

“They’re in the city, mistress, that’s what it is.”

She saw the question starting to form on Anilat’s face. “It doesn’t matter how they did it, lady. We need to get ourselves along out of here. Mistress, please help me get the children ready now. You must think of the little ones here.”

Finally stirred into action, Anilat pulled the smock over her head and began to help.

The Act of Writing – part 1 – Cuneiform tablets

I thought that in this new year, I would spend some time writing occasional articles exploring a few of the varied ways in which writing was captured in the ancient near east. Of course, there were comparatively few men – and even fewer women – who could actually read what had been set down, but often the writing itself was displayed publicly. Whether on a temple or a tomb, in many cases the written word was often meant to be seen. At other times, it was a private message, smaller in scale and less demonstrative in production.

Cuneiform tablet with observations of Venus, Neo-Assyrian, 7th century BCToday I want to look at one specific kind of writing – cuneiform tablets. These are usually surprisingly small, and incredibly densely packed with information. One wonders how, in dim light, it was possible to read the contents at any speed. One’s expectation is that the surface will be rough like a brick, but (unless the tablet has been physically damaged over the years) the surface is typically surprisingly smooth.

Physically producing the tablet from clay was itself a challenge – the raw material had to be damp enough to take the impression of the wedge-shaped stylus, but firm enough to retain the shape. The two sides are visibly different – the side originally against the table is almost flat, while the one uppermost has a distinct curved pillow shape. We still use the terms recto and verso for the two sides of a piece of paper – nowadays the only difference is of physical relationship, but once upon a time the “right” side and the “turned” side really were quite different.

Turning to actual writing, the scribe had to work swiftly in order to get the message impressed into the surface as it was drying. Sometimes we see that the last few lines have been squashed together with smaller signs, or else continued round the edge onto the vertical sides of the tablet – better that, than have to stray onto a second piece for just a few signs!

The great virtue of clay tablets is that, if everything goes horribly wrong, they can be softened and reused, so long as you are prepared starting from scratch. But this commits the scribe to a lot of effort, so one suspects that the decision was not made lightly. Cuneiform tablets often contain minor slips and typos – it is possible that a poorly trained scribe did not notice, but it is also possible that somebody chose to let the mistakes slip through the net rather than go through the pain of rework.

Cuneiform tablet with schoolwork, Old Babylonian, about 1900-1700 BCThe most common cuneiform tablet is written using the Akkadian script – a character set where a symbol represents a syllable rather than a single letter. Akkadian was used as an international written form for well over 2 millennia, and on a smaller scale for nearly 3. It was used by different scribes to capture several different spoken languages – exactly like modern English letters are used today – so today’s reader of the tablet has to not only decipher the syllabic signs, but then identify the specific language being used. Another form of cuneiform, using the same technology to produce tablets, is found in Ugarit, on the Syrian coast. Ugaritic employs a smaller sign-list representing a true alphabet, closely related to modern Arabic but of course visually quite different.

Finally, it would not be right to finish this without mentioning a recipe for cuneiform tablet cookies, courtesy of the University of Pennsylvania museum blog – a fine way to practice your writing and then eat your words. Audible books have been making the rounds for some little while, and perhaps now it is the time for edible books…

Credits: I discovered the cookie recipe through Judith Starkston’s excellent blog, and the pictures are served from the British Museum web site.

Timelines and maps

I spent part of the holiday season exploring a few online tools for visualising the time and/or space of books. There are plenty of these that allow you to hook up a web page to some sort of data source – Google spreadsheets or direct data entry are the favourites – behind the scenes this gets turned into something called JSON which works beautifully with web page displays, but is not very readable… as a user you don’t really care about that though.

For the more technically minded of us, there are freely available code libraries that you can incorporate into your own website (but not into most blogs because of the restrictions that most apply regarding scripts). I will probably look into these sometime as – perhaps inevitably – none of the already-prepared ones quite does what I want. To remind myself, if nobody else, one such library is https://code.google.com/p/timemap/. But more of that another time.

There were two variations I looked at – simple timelines, and timelines which also display related map data for a combined time + space representation. I only considered ones which allowed BC dates since otherwise they would have been entirely useless to me.

Timeline only
Kephrath events - timeline onlyAfter looking at several I ended up with http://www.tiki-toki.com/timeline/entry/389701/Kephrath-Events/.

Yes I know it is a silly domain name, but that’s what you sometimes get online!

Positive things:

  1. The colour scheme is highly configurable
  2. You can set up different “categories” and use these to colour code the entries – in my case the colour coding is mainly by book, but also with separate colours for historical and biographical notes
  3. There are options to change the way the events are displayed – separate stripes per category, different numbers of vertical bands, etc – even a sort of pseudo 3d display
  4. It is free – at least for a single timeline, though you have to pay if you want to set up multiple timelines

Negative things:

  1. They don’t let you embed the result in your own web page (unless you pay)
  2. The display always opens at the first event, which in my case is well before the events that I want people to start with
  3. There are still things you cannot configure (like text colour)
  4. Data entry gets progressively more frustrating the more entries you set up (since it is all typed directly into text boxes and the like), and I’m not sure there is an easy way to set up a real data source
  5. There’s no map

Timeline plus map
Kehrath events - timeline and mapThere are not so many of these, and I chose http://timemapper.okfnlabs.org/milkhoneyedland/kephrath-events.

This gets closer to what I wanted, but is still not perfect.

Positive things:

  1. The map resizes itself automatically to fit your geographic needs
  2. The integration between timeline and map is pretty good, and you can load the screen at any event you choose
  3. Data entry scales well since it is based on a Google spreadsheet rather than manual entry
  4. It is free
  5. There is an easy way to embed the result into your own web page

Negative things:

  1. There are very few configurable colour options, and in particular all map pointers are the same colour so you cannot discriminate easily between threads
  2. The map itself cannot be configured to show less information, so in particular you cannot hide modern placenames

The problem of modern names, boundaries, etc was one which I faced some years ago with a mobile app to explore early alphabetic developments, and found at the time that ESRI maps, unlike Google, can be configured to show only geographic features rather than human infrastructure. This is where the Google timemap library would come in handy… among other things it allows you to switch between different map providers. And I am sure that you can configure the look just however you want. This can be a project for when The Flame Before Us is finished!

Now those of my friends who write historical fiction could quite easily do something similar here – any date range from remote past into the future can be accessed, and the geography of the planet has – for the most part – not changed so very much over the range most of us write about.

And writers of science fiction or fantasy could fairly easily make use of the timeline aspects of this, though I do not yet know if timeline dates can be configured to say something like “Star Date 12345”. However, the map aspect might be a problem. Some books make use of non-standard geography, like erratically appearing islands (such as Borschland) which, as yet, Google and the other map providers have overlooked.

Other books are set on different planets altogether. I guess a truly dedicated writer with the necessary technical skills could write their own map tile server which would define the necessary worlds (rather like Google have done with their Moon and Mars variants of Google Earth).

So where am I going to take this? Well, I think it is a good way to present something about the book. I will be adding in new bits and pieces as they become available and time permits. And later this year I intend putting in the work to customise the map, colours and so on.

But I also think it needs a bit more than just the raw data. Some photos of relevant places would be nice, or maybe links to book extracts or character studies. The timeline, even when enhanced by the map, is only a first step into a visual exploration of the books.

January 1st 2015

It seems to be sort-of customary for blog writers to set out a kind of manifesto at the start of the year – not quite a set of resolutions, since most people seem to be off resolutions this year, but more of a declaration of intent.

My own musings on this were partly triggered by getting my Goodreads stats sent through to me – seems that as regards GR I have reviewed 42 books (11495 pages). Now, I know there are a few HNS reviews still waiting to go through their system before I can post elsewhere, but it’s a fair reflection. I was also quite pleased to see that although most were published in the last few years, I have a scattering of 19th and early 20th century ones, and a couple going way back – The Elder Edda and the Kumarasambhava to be precise.

I took part in two “Reading Challenges” this year – for The Historical Tapestry I just failed to meet the target (25 books… I was one off), after family illness stopped progress for a while. But for The Mad Reviewer I was well in excess of my planned 26 books as the non-historical fiction titles boosted the total nicely. I’m still thinking about whether I want to participate in a similar challenge this year, or whether my activities with HNS and other review groups will be quite sufficient!

Next year on the blog I am planning to do a monthly interview, mostly with historical fiction authors but no doubt a few others thrown in as well. I’m also planning to up the frequency of the historical posts picking out some feature of the background to my own writing – or else just something that caught my eye historically. This probably means I will combine several reviews together in abbreviated form rather individually in full form, since after all there isn’t room or time for everything!

Cover - Scenes from a LifeAs regards my own writing, the CreateSpace version of Scenes from a Life went live a little while into 2014 (the kindle version being available in December 2013), and said book got through to the quarter finals of Amazon’s ABNA award.

Flame draft coverThis year the big event should be the release of The Flame Before Us – hopefully by March or so, all being well. There will be no shortage of news about that… Right now I am working on the last major incomplete section, then comes a few rounds of editorial work and such like before release.

So lots to look forward to in the coming year… not least the excitement of encountering new people and new books through the various routes we all use. Last year’s HNS conference here in London gave a good opportunity to actually meet with some of the many people I enjoy “meeting” online – but there are a great many other people who as yet I have not encountered in the non-virtual world. It would be a nice resolution to aim to meet a few of these, but time will tell if it is a realistic one!

Meanwhile, all the best for 2015 to readers of this blog.

Review – The Rise of Zenobia, by JD Smith

The Rise of Zenobia is set in what is now called Syria, around 300AD, when the region was a Roman province facing apparently irrevocable decline. Although many local leaders remained loyal to the emperor, far to the west, military pressure from independent tribal groups as well as the Persians was almost intolerable. In consequence the trade routes which had brought wealth to the inhabitants had largely collapsed.

Buy The Rise of Zenobia from Amazon.co.uk
Buy The Rise of Zenobia from Amazon.com

Cover - The Rise of ZenobiaThis is the rather sombre setting, with its continual sense of impending doom, that JD Smith has chosen to write about. The cast of characters is a mixed group of individuals, mostly drawn from a single extended family and their retinue, who are striving to preserve the way of life that they know. The question which dominates the book is whether Rome will be either willing or able to help, or whether the region would be better served by cutting loose altogether.

The story is told in two threads – one in the “present day”, when the protagonist Zabdas is an old man, and a series of flashbacks describing his younger life and the key events in it. Zenobia, the woman of the title, is a key figure in the earlier events but missing from the later thread, and one is led to assume she came to a bad end somehow.

This brings me to a key difficulty – the book is only the first part in a longer series (“Overlord“). A great many issues are raised and put on hold, presumably to be revisited in a later volume. Personally I find this frustrating, and I was left with a sense that the work was unfinished. The specific break-off point did not seem particularly significant, as though it had been driven more by word count than plot.

On a technical level the Kindle copy I read had been nicely prepared. A noticeable number of errors had slipped through the editorial net, but not so many nor so serious as to be a real barrier to reading.

So, mixed feelings for me about the book. The setting is interesting and unusual, the characters are quite diverse, and the story is certainly worth telling. But on the other hand the lack of completion was a negative point for me, and I can’t say that I particularly warmed to any of the individual people. Perhaps too much narrative space was devoted to campaigning for me, or else to long and frustrating journeys, to get much feel for what was being safeguarded. I’m not sure I was led to really care what happened to the people or their culture; given the very obvious echoes in contemporary Syria this is a great shame.

Four stars, on balance, and I’m still undecided if I want to buy into the rest of the series.

The Hunt – Feasting at Ugarit

Helen Hollick Blog Hop LogoIt’s my pleasure today to be taking part in Helen Hollick’s Christmas Party blog hop. Although this was originally focused on Christmas celebrations, several participants, including me, write about places and times where Christmas is unknown. Scroll to the end of the post for the complete list of participants and blog links.

So after casting about for a few culturally-appropriate festivals, I decided to go with an Ugaritic festival, The Hunt. This is suited to the work-in-progress The Flame Before Us, due to be released early next year.

Of course hunting of itself was a regular part of life in the Levant, and much of the time had no particular religious angle. But it seems, from occasional textual mentions and a certain amount of interpretation of archaeology, that from time to time this ordinary secular pursuit was elevated into a sacred ceremony. The perhaps tenuous connection with Christmas is that here in the UK, there has been for many years a custom for landowners to ride out fox hunting over the Christmas holiday. This is typically regarded as senseless and brutal by city dwellers, but is still popular in many rural areas, where it is seen as an essential part of community life and wildlife husbandry. By law nowadays it has been watered down to a less violent version where foxes do not in fact get killed, and a lure rather than a wild animal is pursued. Such measures would be unthinkable in ancient Ugarit.

One of the Ugaritic texts alluding to this idea of The Hunt is The Birth of the Gracious Gods. In one part of this, the goddesses Athirat and Rahmay go out from the presence of the chief god El in order to hunt. The goddess Anat has a hunting bow which features strongly in some other stories. Gods got involved as well as goddesses – usually what one might call “second tier” rather than centrally important deities. Similar ideas are found in texts from other Bronze Age locations in the Levant and Mesopotamia – and indeed across in ancient Greece a little later.

To appreciate the role of The Hunt, a basic threefold division of terrain must be understood. There are populated settlements – cities, towns, and the daughter villages linked to these. A high proportion of the religious literature which has survived focuses on urban life and urban worship. Around these places was the sown land – not just planted fields, but also pastures for flocks. These were regarded as part of a town’s territory and (by and large) were clear of dangerous predators and wild game. Outside that again was the wilderness. This was the province of the wild things.

Our textual record of religious actions to do with the sown land and the wilderness is scant. We are told of sacred processions which go out from the town into these peripheral areas, lay symbolic claim to them, and then return. And the offerings which are recorded are often typical of the zones concerned – dairy produce or domesticated animals on the one hand, and wild animal sacrifices on the other.

The sacred dimension of The Hunt has to be understood from this perspective. Men went out from their homes into the unknown wild places, and, if skill and divine favour coincided, came back again with bounty. Archaeology loosely supports the idea that The Hunt could have a sacred dimension – we find places where considerable numbers of wild animal bones – deer, gazelle, mountain goat, and so on – are found in clusters around altar sites. In terms of the overall diet, such wild food forms a relatively small component, so these finds suggest that from time to time these animals formed part of religious ceremonies.

It may be important that the law code in the biblical book of Deuteronomy specifically allows slaughter of undomesticated animals outside the system controlled by the priesthood – perhaps recognising not only the food value but also a long-standing custom of informal sacred observance. If so, then the practice seems to have attracted the criticism of later – and generally stricter – generations of priests, and the practice is scarcely mentioned favourably in later books. Perhaps the patriarchal story of Jacob and Esau remembers something of this; Jacob is at home in the domesticated world of the sown land, while his brother Esau delights in the wilderness – The Hunt.

Back at Ugarit, we do not know how often, or by whom, The Hunt was celebrated. In The Flame Before Us, I have taken the narrative liberty of assuming that it was not just for the elite, but a male pursuit shared across a broad social range. This would make it loosely analogous to watching sport today, which cuts right across other measures of status and rank. So here following are a selection of extracts from one strand of The Flame Before Us, scattered through the book.

LampTadugari is a high-ranking Ugaritic official, currently a refugee with his wife Anilat and the rest of their family following the sack of their city. Khuratsanitu is a personal guard.

Tadugari turned back again to look downhill. Little eddies of onshore breeze stirred the cloud bank, allowed glimpses of the sea beyond the city. At this distance it looked calm, placid. He wore a confused, haggard expression.

“It was to be the hunt tomorrow. One of the king’s own sons wanted me to ride beside him on the chase, and sit beside him at the feast. I won’t be able to do that now. How will I earn his favour again now that I ran away?”

Anilat stared at him in disbelief, and her voice sharpened in anger.

“How can you be thinking of the hunt? My city is ruined. My mother died, and her body was treated vilely before my eyes. My brother and sister are gone, and I have to believe them dead. Out of all this I have my own three children, and my brother’s two. And all you can talk about is missing the hunt?”

He hunched down under the torrent of words and said nothing. She looked around in exasperation. The hillsides around the hut were empty and desolate, and the west was shrouded and gloomy. It was a bitter place.


Ahead of them Anilat could hear the two men talking. Tadugari was once again lamenting the hunt that he would not be able to join. Her thoughts filled briefly with a burning rage: was there nothing else to talk about?

To her surprise, though, it seemed that Khuratsanitu had also been a regular participant. The common soldiers apparently had their own part in it alongside the nobility, and all shared alike in the drinking afterwards, regardless of rank. The anxiety that had been building within her for several days suddenly burst out.


[“Should we not stay in Shalem rather than go on further?”]

“The Mitsriy land is good. But the journey to reach it can be desolate and harsh, depending which way we choose. I hope it does not come to that; better by far to find that Shalem is the safe harbour that we have been looking for all this time.”

“Sir, look, they still have the hunt in the Kinahny lands. You have often spoken of how you missed it: you could enjoy it again here. I do not think the Mitsriy have it, though. I hear they snare fish and birds, rather than hunt wild beasts.”

“Their great kings boast of the hunt. But I have not heard that others in their land go out like that. But see, you and I could enjoy it together again: it would not be me alone.”

“Then, sir, would it be so bad to stay among the Kinahny? Their ways are more like ours than those of the Mitsriy. You would find a place among the nobility here; I could serve with their guardsmen. Should we stop here rather than continue south? Surely it is a long way yet if we kept going.”

Other participants are listed below… please follow the links and check them out! Please note also that some items may not be accessible until Saturday 20th December so be patient.. there is some great holiday reading here.

Thank you for joining our party now follow on to the next enjoyable entertainment…

1. Helen Hollick : “You are Cordially Invited to a Ball (plus a giveaway prize) – http://tinyurl.com/nsodv78
2. Alison Morton : “Saturnalia surprise – a winter party tale (plus a giveaway prize) – http://tinyurl.com/op8fz57
3. Andrea Zuvich : No Christmas For You! The Holiday Under Cromwellhttp://tinyurl.com/pb9fh3m
4. Ann Swinfen : Christmas 1586 – Burbage’s Company of Players Celebrateshttp://annswinfen.com/2014/12/christmas-party/
5. Anna Belfrage : All I want for Christmashttp://tinyurl.com/okycz3o
6. Carol Cooper : How To Be A Party Animalhttp://wp.me/p3uiuG-Mn
7. Clare Flynn : A German American Christmashttp://tinyurl.com/mmbxh3r
8. Debbie Young : Good Christmas Housekeeping (plus a giveaway prize) – http://tinyurl.com/mbnlmy2
9. Derek Birks : The Lord of Misrule – A Medieval Christmas Recipe for Troublehttp://wp.me/p3hedh-3f
10. Edward James : An Accidental Virgin and An Uninvited Guesthttp://tinyurl.com/o3vowum and – http://tinyurl.com/lwvrxnx
11. Fenella J. Miller : Christmas on the Home front (plus a giveaway prize) – http://tinyurl.com/leqddlq
12. J. L. Oakley : Christmas Time in the Mountains 1907 (plus a giveaway prize) – http://bit.ly/1v3uRYy
13. Jude Knight : Christmas at Avery Hall in the Year of Our Lord 1804http://wp.me/p58yDd-az
14. Julian Stockwin: Join the Partyhttp://tinyurl.com/n8xk946
15. Juliet Greenwood : Christmas 1914 on the Home Front (plus a giveaway) – http://tinyurl.com/q6e9vnp
16. Lauren Johnson : “Farewell Advent, Christmas is come” – Early Tudor Festive Feastshttp://wp.me/p1aZWT-ei
17. Lucienne Boyce : A Victory Celebrationhttp://tinyurl.com/ovl4sus
18. Nancy Bilyeau : Christmas After the Priory (plus a giveaway prize) – http://tinyurl.com/p52q7gl
19. Nicola Moxey : The Feast of the Epiphany, 1182http://tinyurl.com/qbkj6b9
20. Peter St John: Dummy’s Birthdayhttp://tinyurl.com/nsqedvv
21. Regina Jeffers : Celebrating a Regency Christmas (plus a giveaway prize) – http://tinyurl.com/pt2yvzs
22. Richard Abbott : The Hunt – Feasting at Ugarithttp://bit.ly/1wSK2b5
23. Saralee Etter : Christmas Pudding — Part of the Christmas Feasthttp://tinyurl.com/lyd4d7b
24. Stephen Oram : Living in your dystopia: you need a festival of enhancement… (plus a giveaway prize) – http://wp.me/p4lRC7-aG
25. Suzanne Adair :The British Legion Parties Down for Yule 1780 (plus a giveaway prize) – http://bit.ly/1r9qnUZ
26. Lindsay Downs : O Christmas Tree, O Christmas Tree​http://lindsaydowns-romanceauthor.weebly.com/

Thank you for joining us – please read, enjoy, and leave comments to encourage all the participants!

Blog hop next week!

Next weekend I shall – along with a considerable number of other authors – be participating in a Christmas Party Blog Hop organised by Helen Hollick. Helen, for those who don’t know, is not only an author herself but also carries out a considerable amount of work for the Historical Novel Society, including coordinating the indie review section.

Helen Hollick Blog Hop Logo

Now of course my own writing is about a period which considerably predates the celebration of Christmas – I am not the only contributor facing similar problems – and Helen has extended the parameters to include other kinds of festivities. I have chosen to talk about an Ugaritic festival called The Hunt, alluded to a few times in The Flame Before Us. Check back on December 20th to read all about it, and also to enjoy the many and varied contributions from others.

In wider news, I have just finished another thorough edit of The Flame Before Us and am working on the sole remaining section. All being well the book should be released a couple of months into 2015.

Writing, both historical and speculative