Category Archives: Scenes from a Life

A new review of ‘Scenes from a Life’

This 5* review of Scenes from a Life appeared a few days ago on Amazon.com (http://www.amazon.com/review/R6J302CZ1LN1Y/ref=cm_cr_dp_title), and I am delighted to share it in full:

Richard Abbott’s latest book “Scenes from a Life” nearly floored me! It’s a revelation about this journey we call life, the connectedness of people, choices, events. We are not always in control of what happens to us — sometimes we are, sometimes we aren’t. Our choices (this is not news), how we handle ourselves and deal with others, reveal who we really are. Discovering and facing the truth about ourselves can be a struggle on many levels; that challenge is wonderfully addressed in this book.

At first, the main character Makty Rasut, an ancient Egyptian scribe specializing in the design and decoration of tombs, is an interesting but not particularly empathetic character. As the story flows through a series of dreams and real life encounters, his past and the depths of his personality are gently revealed. The author employs a technique I’ve never encountered before, with a chapter concerning the past alternating with one in the present. It works, connecting people, places, events, and cleverly reveals to us what makes this young man tick. What surprised me was the timelessness of some of Makty’s concerns and how relative they are in our modern world.

But with Dr. Abbott’s works, history and life truths go hand in hand. I found the history of tomb design/decoration and the description of life in New Kingdom Egypt and the area of Canaan to be very interesting. The author provides notes, maps, and a glossary that, in my opinion, comprise a small primer on the lands and people of those times.

I was glad to become reacquainted with some favorite characters from his previous book “In a Milk and Honeyed Land”. Richard Abbott’s stories are not over-emotional, but they are beautiful and sensitive. They are not textbooks, but the reader cannot help but learn. They are not travel books or fantasies, yet one is transported.

Highly recommended.

After preparing this post another 4* review also appeared on Amazon: let’s hope there are plenty more to come.

In which I am interviewed by Louise Rule

Today I was interviewed by Louise Rule for The Review, a blog which also has a Facebook group. The interview can be found at…

http://thereviewgroup.blogspot.co.uk/2014/06/louise-e-rule-interviews-richard-abbott.html

The topics covered a lot of ground but interestingly we talked a fair bit about the similarities and differences between my fiction writing and the academic thesis which came out first.

The interview opens with…

Q. You have an obvious passion for the ancient Middle East. Could you tell our readers what drew you to that time, what was it that captivated you?

A. Originally I got intrigued by the chronology of the ancient world, and looked into both mainstream views and some of the more alternative ones. But as I started to read actual ancient sources, initially in translation and then more directly, I abandoned chronology in favour of literature, especially poetry and its various forms. It is so much more fascinating! Plus, of course, it gives much more direct insight into the minds of people in the ancient world, rather than just modern ideas of how best to create an exact timeline…



Then we got into matters like whether researching a novel was the same as researching a thesis, the development of character and structure, ancient writing and its forms – even the Northern Line got a mention!

The Review banner image

Scenes from a Life ABNA Excerpt now available for free download

Well, Amazon have now made available the ABNA Excerpts as free kindle downloads at the various international sites. For Scenes from a Life, navigate to one of:

On the Amazon sites you can preview the first couple of pages, or download in kindle format the Excerpt for free. The Excerpt for Scenes from a Life was about 3750 words long – the upper limit was 5000 words, but I wanted to end the Excerpt at an obvious section break. It represents part but not all of Chapter 1.

General Fiction ABNA logo

You do not need an actual kindle device to read it as there are kindle viewers for all kinds of other platforms such as PC, Mac and so on.

Like any other purchase on Amazon, you can add your own reviews of the Excerpt. It’s not very clear how audience reviews feed into the next stage – the main judging is done by staff from Publishers Weekly who have access to the entire manuscript now. However, in addition to this “Amazon customers can download, rate, and review Excerpts on Amazon.com, providing feedback to Amazon Publishing Editors about submissions”. So if anybody is motivated to write such a review, I would very much appreciate it. There is about a month for this stage of the process, until May 23rd or thereabouts, and the names of those going through to the semi-finals are announced around June 13th.

Amazon ABNA expert review comments

At some stage soon the excerpts for all the ABNA quarter-finalists will be published on Amazon.com – as soon as I know where I’ll post about this. Meanwhile the two review comments by (anonymous) ABNA expert reviewers have appeared. Here are some highlights…

  • We learn so much about the life and work of Makty. I found it very interesting…
  • Elegantly written and full of rich back story about Makty and how he’s fashioned his current existence…
  • On a line level, this is one of the strongest pitches I have read…

The full review comments follow… at this stage the reviewers were only exposed to the “Excerpt”, ie the first 3750 or so words (rather less than the first chapter). At the next stage then (so I understand) the general public gets to see the “Excerpt”, and the reviewers the whole lot.

  1. First reviewer
    • What is the strongest aspect of this excerpt?
      We learn so much about the life and work of Makty. I found it very interesting …not only how he worked at decorating the tombs but also his life style i.e. how he, although he worked hard and was very frugal, still chose to move on to a new location after not staying too long in any one place.
    • What aspect needs the most work?
      Maybe it would have been even more interesting if we had gotten even a hint as to where we were heading and not so much detail of Makty’s painting etc.
    • What is your overall opinion of this excerpt?
      I found it very interesting and, although I would have preferred to have at least of a vague idea of what was coming, I believe it would ultimately turn into a very good story. I also learned some things about tombs it never occurred to me to wonder about.
  2. Second reviewer
    • What is the strongest aspect of this excerpt?
      Elegantly written and full of rich back story about Makty and how he’s fashioned his current existence. The author does a good job of toggling back and forth between past and present action, making us feel as though much more has actually happened in this chapter than actually does. Makty’s strange dream plants just enough of a seed that we can see conflict is on the horizon. His nomadic lifestyle and desire for space and movement also complicate his character, deepening a character otherwise defined by his work. Lots of potential in the the scope and historicity of the work.
    • What aspect needs the most work?
      I mentioned not a lot happens already, but really, not much happens. Outside of the dream, I’m not sure I see a true hook. This is a chapter full of throat clearing and set up. Nothing wrong with that, but the lede is buried under an awful lot of information and description, mostly Makty ruminating, ruminating some more, and then slightly re-calibrating. Without other characters, dialogue, or a shift in scene, I found it hard to stay closely with Makty’s thoughts throughout the chapter. Give this guy something else to ping himself off of, and I think this chapter opens up and breathes a little better.
    • What is your overall opinion of this excerpt?
      On a line level, this is one of the strongest pitches I have read. This author has a sense of what he’s doing, even if I’m not as engrossed by the writing as I could be. I worry about audience with this piece. Who is the market? Is it for people who value character driven stories or historical fiction? A modern novel or more fabelistic? Movement and the journey the author promises in the pitch will be key. ACTION will be key. This excerpt is certainly well crafted enough to demand further attention, especially given its superior style.

Schematic map - the area around Waset (modern Luxor)

Round 2 – Amazon Breakthrough Novel Award

I just found out that Scenes from a Life has made it through to round 2 of the Amazon Breakthrough Novel Award (http://www.amazon.com/b?node=332264011)

This means that it was in the top 400 in the General Fiction category (there was no historical fiction option). Making it to round 2 means that the short ‘pitch’ was good enough… this time around the ‘excerpt’ section, ie the first few thousand words, gets to be assessed.

There is now about a month in which the number gets whittled down to a total of 500 across all five categories…

Scenes from a Life cover

Another review…

It has been a good weekend for reviews – this one is a great read from a person familiar with the ancient and classical world. Read the whole lot at http://myth.typepad.com/breakfast/2014/03/scenes-from-a-life.html.

Here are a few extracts…

Abbott is a trained scholar of ancient Egyptian and Hebrew, and a keen observer of the archeologies of the Bronze Age Near East. His aim in this gentle, well-crafted novel is to bring to life the ordinary folk of that time, and to tell their stories with attention and care…
“Scenes from a Life” is a “historical” by genre, but only because the story unfolds in the past. It explores much more deeply the commonalities of humans throughout the ages: who am I, where did I come from, who are my friends, what is my purpose in life. The striking thing about “Scenes” is not its unobtrusive historical accuracy… but its sensitivity: its assured, mature observation of people…
“Scenes from a Life” is handsomely produced for the Kindle, and includes fascinating background material for the linguistically and historically curious. I found I had large numbers of questions to ask the author after reading this book, but at the same time was absolutely satisfied.

Breakfast with Pandora banner image

A review of ‘Scenes from a Life’

Scenes from a Life has just had a review posted on The Review Group – check it out in full at http://thereviewgroup.blogspot.co.uk/2014/03/scenes-from-life-reviewed-by-margaret_7.html

Some extracts are:

The setting is well realized, both in the background details …and in the use of language…

…there is lovely description – evocative sentences or phrases that add so much to the atmosphere of the book. To give just one example – ‘hovered like a bird of the reedy marshes around the borders of their conversation.’

…a glimpse of a culture and period that I suspect most readers will know little about. I feel I know much more of New Kingdom Egypt now and I would certainly read another book by this writer.

An encouraging review from a person who started the book knowing only a little about New Kingdom Egypt!

Buy Scenes from a Life on Amazon.co.uk
Buy Scenes from a Life on Amazon.com

Cover image - Scenes from a Life

Men and women in Late Bronze religion

This post is another in my occasional series looking at aspects of second millennium BCE religion in the Levant – Canaanite religion, if you like. I am going to start with what we can infer from particular kinds of archaeological remains, and then move on to text afterwards.

University of Pennsylvania Museum figurine
Interpreting the significance of archaeological finds is not always easy. A few decades ago there was a tendency for items of obscure purpose to be simply classified as “cult objects” with an assumed religious function… after all, if you didn’t understand what it was for then it must be religion! The best-known case of this is, perhaps, the considerable number of nude female figurines that have been found throughout the area. Perhaps because of presuppositions about Canaanite religion, it was assumed that these were goddess figures used in some interesting way in worship. Since those days a whole variety of other explanations have been proposed, including fertility objects given as part of a marriage ceremony, goodwill offerings during pregnancy, and even educational devices for teaching the young. We just don’t know for sure, and simple single explanations are improbable. The picture is of an item from c.1400 BCE, now in the collection of the University of Pennsylvania Museum and originally found at Beth She’an.

If we look at the designs carved into personal authentication seals we find an interesting story. There were several common forms of these – some based loosely on Egyptian scarabs, others on oval amulet designs, and others of cylindrical form. The first two have a design typically on the flat surface, the last one around the outside curve to be rolled onto clay. This last kind, having more surface area to play with, usually has more elaborate and detailed designs worked around the circuit. They are also a common pattern from the Mediterranean across to Mesopotamia, whereas the others were more localised. At this early time, almost all are pictorial, with little or no textual content.

Now through the Late Bronze Age (so roughly from 1550 to 1200 BCE in this area) we find certain recurring patterns. Male and female figures, whether men and women, male and female priests, or gods and goddesses all appear in roughly equal numbers. The Canaanite tales that have become popularised tend to favour the interactions of gods such as El, Ba’al, Mot, Kothar etc. Goddesses such as Anat, Athirat etc appear to take a secondary role in these accounts. But the material evidence we have suggests a more even-handed balance between the sexes, and even in the tales a careful read finds women or goddesses playing key roles. Two of the longer tales (Keret and Aqhat) present women (Hurriy and Dantiy) holding a central position alongside the male figures that we name the stories after. The secondary details surrounding these stories are full of feminine figures including groups of midwives or goddesses, such as the Kotharat, a collective name for a group of “skilful goddesses’.

As we move into the Iron Age (from 1200 until the time of Alexander the Great, but here I am only really concerned with the first few centuries) then this changes. Firstly, representations of female figures diminish quite dramatically in comparison to their male counterparts. Secondly, female figures are more likely to be represented by some abstract symbol such as a star or tree, rather than a human shape. In earlier designs these symbols typically appeared beside the figure, but as time went on the symbol displaced the person. Something happened to the way women were portrayed – and quite probably the roles they played in society – over the transition from Late Bronze to Iron.

What about the text of the Hebrew Bible? There are huge and ongoing debates as to when the various parts of this were first committed to writing, and subsequently collated into a unified text. On the surface, the historical narrative from Exodus to the end of Kings and Chronicles claims to derive from a wide span of time, including both second and first millennia BCE. There are very good reasons for thinking that the text was assembled into a coherent story somewhere in the first half of the 1st millennium. However, there are also very good reasons from analysis of both prose and poetry to think that some parts go back into the second millennium. If so, can we see any trace of the earlier higher profile of women?

The short answer is ‘yes’. The opening chapters of Exodus have a much higher concentration of women actively participating in events than any other part of the Hebrew Bible – there are the midwives who covertly spare baby boys’ lives from execution. Their prominence is comparable to that of female human and divine figures associated with birth in Ugarit. Beside them, we find Miriam and other significant women in Moses’ birth family, the pharaoh’s daughter who raised him, and so on. The images associated with the departure from Egypt deliberately ascribe giving birth and breast-feeding to God, presenting a distinctively feminine aspect to a figure often perceived as male.

The book where the decline of women’s fortunes is presented most starkly is Judges. Within a few chapters (covering at minimum a couple of hundred years) their position declines from an initial ability to inherit land and lead tribes in a prophetic role, down to widespread subordination and exposure to rape, humiliation and death. In terms of historical periods, Judges spans the time from the end of the Late Bronze age through Iron I – exactly the time when images on material artefacts undergo a radical change. Does this reflect increasing situations of personal danger and social anarchy? Or substantial revisions in the framework and basic assumptions of society itself?

In terms of my own writing, In a Milk and Honeyed Land and Scenes from a Life are both set at the tail end of the Late Bronze. They present societies where women have defined and important social roles, and in Kephrath and her three sister towns, inheritance passes through the female line. Households are defined in terms of the mother of the house rather than the father. This reflects what we know of the Late Bronze Age from artefact and text. If I continue writing forwards in time then at some point this happy state has to decline… by the turn of the millennium, so far as we can tell, women in the Levant were routinely in a subservient and threatened position. But there are a lot of books between 1200 and 1000…

Reading challenges for 2014

I have signed up for two reading challenges for this year – sort-of a more interesting form of New Year’s Resolution, I suppose, although I do not imagine that it will be especially hard for me to keep reading books!

'Scenes from a Life' cover image

But before that, some news about Scenes from a Life. Kindle copies are starting to sell nicely now, and – at least for those regions where this applies – I have enrolled the book in Amazon’s Matchbook programme. This means that anyone who buys the soft-cover print copy of the book can, for a mere $0.99, get the kindle copy as well. Fantastic… but not yet globally available.

I have also started drafting out the next novel in the series… more news when my ideas about that are a little bit more settled.

So, Reading Challenges. I decided to sign up for two – one specifically on historical fiction, and a more general one. The trend today seems to be that you pick cool names for different levels of the challenge, which is fine by me. So the two are:

  1. Historical Tapestry 2014 Historical Fiction Reading Challenge – I went for the Ancient History (25 books) level, as opposed to Medieval (15 books) or Prehistoric (50+ books)
  2. The Mad Reviewer Reading and Reviewing Challenge 2014 – I went for the Slightly Sane Reviewer (26 books) level, as opposed to Sane (12 books) or Crazy (52 books). There’s even a Mad Reviewer level calling for 104 books in one year. Phew.

Of course, some books can neatly be caught in both challenges 🙂 which should help. To date I have read and reviewed 1 book this year (other reviews in 2014 were for books read last year), plus have one that is read and awaiting review, and one that is in progress.

Historical Tapestry Reading Challenge badge
Mad Reviewer Reading Challenge badge