Category Archives: In a Milk and Honeyed Land

Timelines and maps

I spent part of the holiday season exploring a few online tools for visualising the time and/or space of books. There are plenty of these that allow you to hook up a web page to some sort of data source – Google spreadsheets or direct data entry are the favourites – behind the scenes this gets turned into something called JSON which works beautifully with web page displays, but is not very readable… as a user you don’t really care about that though.

For the more technically minded of us, there are freely available code libraries that you can incorporate into your own website (but not into most blogs because of the restrictions that most apply regarding scripts). I will probably look into these sometime as – perhaps inevitably – none of the already-prepared ones quite does what I want. To remind myself, if nobody else, one such library is https://code.google.com/p/timemap/. But more of that another time.

There were two variations I looked at – simple timelines, and timelines which also display related map data for a combined time + space representation. I only considered ones which allowed BC dates since otherwise they would have been entirely useless to me.

Timeline only
Kephrath events - timeline onlyAfter looking at several I ended up with http://www.tiki-toki.com/timeline/entry/389701/Kephrath-Events/.

Yes I know it is a silly domain name, but that’s what you sometimes get online!

Positive things:

  1. The colour scheme is highly configurable
  2. You can set up different “categories” and use these to colour code the entries – in my case the colour coding is mainly by book, but also with separate colours for historical and biographical notes
  3. There are options to change the way the events are displayed – separate stripes per category, different numbers of vertical bands, etc – even a sort of pseudo 3d display
  4. It is free – at least for a single timeline, though you have to pay if you want to set up multiple timelines

Negative things:

  1. They don’t let you embed the result in your own web page (unless you pay)
  2. The display always opens at the first event, which in my case is well before the events that I want people to start with
  3. There are still things you cannot configure (like text colour)
  4. Data entry gets progressively more frustrating the more entries you set up (since it is all typed directly into text boxes and the like), and I’m not sure there is an easy way to set up a real data source
  5. There’s no map

Timeline plus map
Kehrath events - timeline and mapThere are not so many of these, and I chose http://timemapper.okfnlabs.org/milkhoneyedland/kephrath-events.

This gets closer to what I wanted, but is still not perfect.

Positive things:

  1. The map resizes itself automatically to fit your geographic needs
  2. The integration between timeline and map is pretty good, and you can load the screen at any event you choose
  3. Data entry scales well since it is based on a Google spreadsheet rather than manual entry
  4. It is free
  5. There is an easy way to embed the result into your own web page

Negative things:

  1. There are very few configurable colour options, and in particular all map pointers are the same colour so you cannot discriminate easily between threads
  2. The map itself cannot be configured to show less information, so in particular you cannot hide modern placenames

The problem of modern names, boundaries, etc was one which I faced some years ago with a mobile app to explore early alphabetic developments, and found at the time that ESRI maps, unlike Google, can be configured to show only geographic features rather than human infrastructure. This is where the Google timemap library would come in handy… among other things it allows you to switch between different map providers. And I am sure that you can configure the look just however you want. This can be a project for when The Flame Before Us is finished!

Now those of my friends who write historical fiction could quite easily do something similar here – any date range from remote past into the future can be accessed, and the geography of the planet has – for the most part – not changed so very much over the range most of us write about.

And writers of science fiction or fantasy could fairly easily make use of the timeline aspects of this, though I do not yet know if timeline dates can be configured to say something like “Star Date 12345”. However, the map aspect might be a problem. Some books make use of non-standard geography, like erratically appearing islands (such as Borschland) which, as yet, Google and the other map providers have overlooked.

Other books are set on different planets altogether. I guess a truly dedicated writer with the necessary technical skills could write their own map tile server which would define the necessary worlds (rather like Google have done with their Moon and Mars variants of Google Earth).

So where am I going to take this? Well, I think it is a good way to present something about the book. I will be adding in new bits and pieces as they become available and time permits. And later this year I intend putting in the work to customise the map, colours and so on.

But I also think it needs a bit more than just the raw data. Some photos of relevant places would be nice, or maybe links to book extracts or character studies. The timeline, even when enhanced by the map, is only a first step into a visual exploration of the books.

So when was Jerusalem attacked by the Israelites?

One of the more obscure pieces of historical reconstruction of the Israelite settlement of the Canaanite hill country concerns the capture of Jerusalem. Part of the difficulty is that the traces of early accounts have been reworked and integrated into larger narratives by later scribes, for whom the city was profoundly important. They were keen, therefore, to present a national story in which Jerusalem was a major target right from the start. However, the archaeological record of population growth indicates that the central hill country around Shechem was the starting point, with expansion north, west and south from that core. Jerusalem was not central to the early settlers.

Kephrath - banner imageThe raw textual material in the Hebrew Bible bearing on Jerusalem is as follows. Judges chapter 1 has two references. In verse 8 we read

Then the people of Judah fought against Jerusalem and took it. They put it to the sword and set the city on fire.

Thus sounds quite straightforward. But then in verse 21 we find

But the Benjaminites did not drive out the Jebusites who lived in Jerusalem; so the Jebusites have lived in Jerusalem among the Benjaminites to this day.

So a different tribe, and a report of failure rather than success. Joshua 15, while listing the territorial boundaries of the various tribes, has the following in verse 62

But the people of Judah could not drive out the Jebusites, the inhabitants of Jerusalem; so the Jebusites live with the people of Judah in Jerusalem to this day.

So it’s failure again, this time linked specifically to Judah. The uncertainty about these two tribes is logical, since the city was on the border between the lands claimed by them.

Back in Joshua 10 we find a battle record in which the king of Jerusalem was one of several who were defeated in the open field. This chapter – seen predominantly from the perspective of the town of Kephrath, originally on the Canaanite side – forms the background to part of the novel In a Milk and Honeyed Land. The book, however, scales the battle down to a size more typical of Late Bronze encounters than Iron Age ones, and we have representatives of the kings present rather than the kings themselves.

In Joshua 12 we are reminded that the king of Jerusalem was one of many who had been defeated. It is worth remembering as we read this list that the typical city-state ruler of this time would command at most tens of troops, and Egyptian garrisons could effectively control the region with a handful of men. The real issue was not numbers, but military technology and the circumstances of the battle.

After these texts, all from the early days after the Israelite arrival, there is almost nothing until David captures it considerably later, in the book of Samuel. In between we have scant mention of the city, and that purely as a geographical reference point.

What are we to make of this? It seems clear that there was no successful early capture of Jerusalem, despite the upbeat message of Judges 1:8. If there were real attempts to capture the city this early on, they were failures. But should they even be seen as real attempts? Archaeologically, the early Israelite settlement was in small villages scattered in the central hill country. It is not at all clear that the settlers had any interest in cities, except as landmarks to describe regions of control. Only later did the relative strengths of Israelite villager and Canaanite city dweller change sufficiently to make an assault possible. Encounters in the open field, especially when circumstances favoured an ambush or other ruse, were one thing: direct attacks on cities were another.

Archaeological exploration of Jerusalem has been very limited over the years. Clearly it would be highly desirable to know more, but this is almost impossible because of the continuous occupation of the city, and the huge complications arising from the sensibilities of three major religions. So reconstruction relies heavily on textual information, including the rather earlier letters written by Abdi-Heba, king of Jerusalem, to the Egyptian pharaoh.

We have no independent witness to the accounts in the Hebrew Bible that might help reconcile this, so are forced back onto weighing probabilities. My own suspicion is that there was neither the intention nor the ability on the Israelite part to capture Jerusalem early on. The fringes of the city – or perhaps the outlying daughter villages – might well have been raided. Perhaps some houses or storage areas were set alight in anger or frustration, but a serious assault was out of the question. Not only was Jerusalem too powerful for this to be realistically considered, but the Israelites, with small scattered settlements close to the city on almost every side, could not afford to begin hostilities they could not end. Jerusalem would remain solidly Canaanite for a long time. Later scribes, with a different agenda, retold these early skirmishes as though they were larger and more significant, but were clearly unwilling to gloss them completely into overwhelming victories.

The Flame Before Us is set in this period of uncertainty. The cities are, by and large, too strong for the Israelites to face head on. A serious external threat, or the muscle-flexing of one of the regions many city rulers, is altogether too much to be confronted. It is better to avoid conflict rather than face it, unless a way can be found to turn some feature of the ground or the circumstances into advantage.

So who was Shamgar son of Anath?

“Shamgar son of Anath, who struck down six hundred Philistines with an ox-goad” – Judges 3:31

This particular snippet from early in the biblical book of Judges seems at first sight not much more than a propaganda note about the superiority of the Israelite defenders against the bad-guy Philistine arrivals. But actually there is a lot more here than meets the eye.

Inscribed arrow or javelin head
A lot of the regular discussion circles around whether 600 was intended to really be a literal body count, or is simply an absurdly inflated number chosen to intimidate. And what exactly does ox-goad mean in this text? Was it literally an agricultural implement repurposed for war – something which has often happened through history – or was it a nickname for some other weapon?

There is a lot more to glean from these few words. Shamgar is not an Israelite name, nor even one drawn from the broader Semitic language family. It seems to be Hurrian in origin. If so, the original form was probably Shimigar, where Shimi was a Hurrian sun god. The Hurrians were a prominent elite group through most of the second millennium BC in the middle east, appearing as minor kings, nobility, or warrior leaders. They spread down from the north of Mesopotamia, roughly where the Kurdish lands are today, and flourished for some time before being integrated into the general population at the start of the first millennium and disappearing as a recognisable group.

So was the historical Shamgar behind our text actually an accomplished military leader, named after another nation’s god, with the 600 being killed not personally by him but rather by men under his command?

Anath (sometimes Anat) is the name of a particularly passionate and warlike Canaanite goddess, and in any event is grammatically female rather than male. Biblical commentators have noticed the oddity here – the Hebrews of this era routinely identified a person through their father, not their mother. To resolve this some have proposed that Anath was also used as a common male name, meaning something like “answered“.

There are, perhaps, easier solutions. One is to suggest that in this early stage, some groups who affiliated with the Hebrews really did identify through the mother’s line. Readers of In a Milk and Honeyed Land will know that the four towns I write about there do just this.

Another possibility arose from archaeological discoveries of Bronze Age arrowheads and javelin heads from various parts of the Levant. Many of these have names scratched into them, and “son of Anath” appears several times. (The image above of one of these arrowheads has been supplied by the Biblical Archaeology Society website). For example, we know of one “Abdi-Labit son of Anath“. The title also turns up in Ugarit and even in Egypt as well as Canaan. Now it could be, of course, that Anath was a rather common name after all, and that many ethnic groups really did count lineage through the mother.

But it seems more likely that what we see here is actually the identifying mark of a warrior class. When you had proved yourself in some way you were entitled to call yourself a son of Anath. Human nature being what it is, I am sure that if there was an original band who coined the name and were successful, others would copy it for themselves.

In The Flame Before Us I follow this line. You will meet there a certain Shimmigar, who is a member of a small band of skilled warriors responsible for protecting the northern borders of Ibriym (Hebrew) territory. Find out more in a few months’ time!

In which I am interviewed by Louise Rule

Today I was interviewed by Louise Rule for The Review, a blog which also has a Facebook group. The interview can be found at…

http://thereviewgroup.blogspot.co.uk/2014/06/louise-e-rule-interviews-richard-abbott.html

The topics covered a lot of ground but interestingly we talked a fair bit about the similarities and differences between my fiction writing and the academic thesis which came out first.

The interview opens with…

Q. You have an obvious passion for the ancient Middle East. Could you tell our readers what drew you to that time, what was it that captivated you?

A. Originally I got intrigued by the chronology of the ancient world, and looked into both mainstream views and some of the more alternative ones. But as I started to read actual ancient sources, initially in translation and then more directly, I abandoned chronology in favour of literature, especially poetry and its various forms. It is so much more fascinating! Plus, of course, it gives much more direct insight into the minds of people in the ancient world, rather than just modern ideas of how best to create an exact timeline…



Then we got into matters like whether researching a novel was the same as researching a thesis, the development of character and structure, ancient writing and its forms – even the Northern Line got a mention!

The Review banner image

Alternative plot structure part 1 – the ring pattern

How are stories planned and organised? More interestingly, how have they been arranged in different parts of the world and times in history? Today I want to talk about a common middle eastern pattern, “ring structure”. Nowadays, the pattern most commonly talked about is called “three act structure”. Some people use this title just as a convenient piece of shorthand, but others try to argue that there is something fundamental about it, even to the extent of suggesting that there is some basis in human brain chemistry that favours it.

Three act structure is pretty much stock in trade for Hollywood films and so has big money behind it. Basically, 1) the plot presents a problem to the main character. A first attempt to solve it fails. So 2) a more elaborate attempt to solve it is set up and also fails, this time in such a way that things look hopeless. Then 3) a final sacrificial attempt is made and it is resolved.

But is there really anything profound in this pattern? I want here to distinguish between film plots and book plots. These are different media and so might quite reasonably have different forms – why should a film follow a book storyline any more than if the key plot ideas were turned into a musical, or a poem, or a piece of art? However, typically, people who know a book well routinely end up disappointed with a film adaptation.

Now, despite some of the things which have been said about it, there is no real reason to suppose that having three acts mirrors anything deep about the human soul. Many pieces of literature have used entirely different patterns, and I want to focus on a few of these over an intermittent series of blog articles.

So for today, I want to look at ring structure – the key moment or event is placed in the middle of the work. It is, quite literally, pivotal, or centrally important to the plot. Bailey, back in the late 1990s, said of this pattern “The primary language of the picture is placed in the climactic center. Around that center is a series of interpretive semantic “envelopes”, which provide direction to the reader’s imagination“. On similar lines, Radday said “Chiastic structure… is more than an artificial or artistic device… it is rather, and most remarkably so, a key to meaning“. In the ancient near eastern world this pattern was common, and it has survived to some degree through to the present.

Triumphal Accounts in Hebrew and Egyptian cover imageThe typical pattern is to open with a state of stability and peace, which is then disrupted in some way – perhaps by a natural crisis, or by wickedly motivated individuals. The disruption may be presented from several different points of view, depending on the length of the work. The pivotal event is at the centre to resolve the crisis – in some texts it might be a battle, for example, but in others it will be a celebration of a god, nation or individual. Merenptah’s Israel Stele has “A great wonder has occurred for Egypt“. The Hebrew “Song of the Sea” (Exodus 15, first half) has “Who like you among the gods? Yahweh!“. After the central affirmation the situation ‘unwinds’, commonly in symmetric ways to the opening layers, and the setting is restored to peace and stability.

A few years ago now I made a study of this in the PhD thesis Triumphal Accounts in Hebrew and Egyptian. In this I showed how some key texts in New Kingdom Egypt and the oldest strands of the Hebrew Bible use ring structure, and its stricter cousin chiasmus, to provide the framework for their narrative. But use of the pattern is not restricted to the ancient world, and it was in use in rural middle eastern contexts within living memory. Some people have argued that it reflects a difference in world-view. Three-act, credibly, lends itself to a conquering, pioneering mentality in which obstacles are only there to be surmounted in pursuit of a supreme goal. Ring structure lends itself to a view which values cohesion around a crucial centre. Perhaps it is not surprising that Hollywood likes one and not the other!

Some modern authors have experimented with this pattern, such as Hemingway in The Sun also Rises. There are even elements of the ring structure in the typical Star Trek (original series) plot, when Kirk, Bones and Spock collect on the bridge on a wind-down return-to-normality session after saving the world again. On a more domestic scale, I built In a Milk and Honeyed Land according to the structure: readers can entertain themselves working out the key events which I have set as the pivot, and how concentric patterns are set up during the book as a whole.

With influences from world literature increasingly impacting on British and European fiction (from what I have seen, America lags behind a little here), it is to be hoped that ring patterns will come back into larger scale use. They provide an interesting and creative variation of plot structure, and potentially say something important about a world view.

Some recent reviews for In a Milk and Honeyed Land

In a Milk and Honeyed Land has been getting some reviews recently, so I thought I would gather the links together along with short snippets.

  • Anna Belfrage on “The Review Group” –
    http://thereviewgroup.blogspot.co.uk/2013/11/anna-reviews-in-milk-and-honeyed-land.html
    Mr Abbott paints a vivid description of the region and its people as it may have appeared well over three thousand years ago, doing a rather elegant tie in to the events related to us in the Book of Joshua... The life in this long-ago village is richly described, from the foods they prepare, to the tending of the olives and the rituals of life and death... it is a reflection on human life in general, subtly making the point just how similar the central issues in our lives remain – whether in the here and now or in the far back then... The prose is rich and fragrant and flows easily across the pages... In a Milk and Honeyed Land is a believable and at times very touching description of a man that always tries to do the best he can for his family and friends. Add to this an unusual historical background, some very evocative writing, and you have quite the read."
  • Keeping Sane with Books
    http://booksane.blogspot.co.uk/2014/02/in-milk-and-honeyed-land-by-richard.html
    a wonderfully written novel full of a very particular history... The language is exceptional with some wonderful turns of phrase that I had never heard before. The importance of the community is emphasised through religious belief, unhappy marriages, dysfunctional relationships, anger, betrayal and so much more. Dr.Abbott develops strong characters not just in terms of writing but also where their own behaviours are concerned. ... All in all a unique and satisfying book."
  • The Book Professor
    http://bookprofessor.blogspot.co.uk/2014/02/reviewshare-historical-in-milk-and.html
    This is a story about personal strength, growth and change. ... Damariel's life story draws the reader in like very few stories can. His trials and tribulations in the local community are well articulated and I would describe this as a beautiful book. ... There is so much to take in that I think it probably deserves a second reading to get the most out of it. It is definitely a recommended read.
  • The Book Connoisseur
    http://www.book-connoisseur.com/2014/02/5-in-milk-and-honeyed-land-by-richard.html
    ...this is a historical novel told with great authority by a writer who is evidently a master of the subject. I LOVED the attention to detail the author presented with each setting... a believable story with well-developed characters, at times both beautiful and touching and is well worth a read if you are looking for something thoughtful.
  • The Reading Cat
    http://thereadingcat.blogspot.co.uk/2014/02/book-reviewshare-4-stars-in-milk-and.html –
    This was a book that is refreshingly original. The lives of these extraordinary people in an ordinary town are captured in a fascinating manner and presented with excellent writing technique. The people are as real as it gets and I found myself strongly connecting with some of the situations the main character found himself in. The prose is almost poetic and flows beautifully although some sections are so rich and full of detail that sometimes they need to be read more than once. This book by Dr.Richard Abbott definitely requires some concentration and thought to get the most out this book just adds to its charms. A great novel.

Men and women in Late Bronze religion

This post is another in my occasional series looking at aspects of second millennium BCE religion in the Levant – Canaanite religion, if you like. I am going to start with what we can infer from particular kinds of archaeological remains, and then move on to text afterwards.

University of Pennsylvania Museum figurine
Interpreting the significance of archaeological finds is not always easy. A few decades ago there was a tendency for items of obscure purpose to be simply classified as “cult objects” with an assumed religious function… after all, if you didn’t understand what it was for then it must be religion! The best-known case of this is, perhaps, the considerable number of nude female figurines that have been found throughout the area. Perhaps because of presuppositions about Canaanite religion, it was assumed that these were goddess figures used in some interesting way in worship. Since those days a whole variety of other explanations have been proposed, including fertility objects given as part of a marriage ceremony, goodwill offerings during pregnancy, and even educational devices for teaching the young. We just don’t know for sure, and simple single explanations are improbable. The picture is of an item from c.1400 BCE, now in the collection of the University of Pennsylvania Museum and originally found at Beth She’an.

If we look at the designs carved into personal authentication seals we find an interesting story. There were several common forms of these – some based loosely on Egyptian scarabs, others on oval amulet designs, and others of cylindrical form. The first two have a design typically on the flat surface, the last one around the outside curve to be rolled onto clay. This last kind, having more surface area to play with, usually has more elaborate and detailed designs worked around the circuit. They are also a common pattern from the Mediterranean across to Mesopotamia, whereas the others were more localised. At this early time, almost all are pictorial, with little or no textual content.

Now through the Late Bronze Age (so roughly from 1550 to 1200 BCE in this area) we find certain recurring patterns. Male and female figures, whether men and women, male and female priests, or gods and goddesses all appear in roughly equal numbers. The Canaanite tales that have become popularised tend to favour the interactions of gods such as El, Ba’al, Mot, Kothar etc. Goddesses such as Anat, Athirat etc appear to take a secondary role in these accounts. But the material evidence we have suggests a more even-handed balance between the sexes, and even in the tales a careful read finds women or goddesses playing key roles. Two of the longer tales (Keret and Aqhat) present women (Hurriy and Dantiy) holding a central position alongside the male figures that we name the stories after. The secondary details surrounding these stories are full of feminine figures including groups of midwives or goddesses, such as the Kotharat, a collective name for a group of “skilful goddesses’.

As we move into the Iron Age (from 1200 until the time of Alexander the Great, but here I am only really concerned with the first few centuries) then this changes. Firstly, representations of female figures diminish quite dramatically in comparison to their male counterparts. Secondly, female figures are more likely to be represented by some abstract symbol such as a star or tree, rather than a human shape. In earlier designs these symbols typically appeared beside the figure, but as time went on the symbol displaced the person. Something happened to the way women were portrayed – and quite probably the roles they played in society – over the transition from Late Bronze to Iron.

What about the text of the Hebrew Bible? There are huge and ongoing debates as to when the various parts of this were first committed to writing, and subsequently collated into a unified text. On the surface, the historical narrative from Exodus to the end of Kings and Chronicles claims to derive from a wide span of time, including both second and first millennia BCE. There are very good reasons for thinking that the text was assembled into a coherent story somewhere in the first half of the 1st millennium. However, there are also very good reasons from analysis of both prose and poetry to think that some parts go back into the second millennium. If so, can we see any trace of the earlier higher profile of women?

The short answer is ‘yes’. The opening chapters of Exodus have a much higher concentration of women actively participating in events than any other part of the Hebrew Bible – there are the midwives who covertly spare baby boys’ lives from execution. Their prominence is comparable to that of female human and divine figures associated with birth in Ugarit. Beside them, we find Miriam and other significant women in Moses’ birth family, the pharaoh’s daughter who raised him, and so on. The images associated with the departure from Egypt deliberately ascribe giving birth and breast-feeding to God, presenting a distinctively feminine aspect to a figure often perceived as male.

The book where the decline of women’s fortunes is presented most starkly is Judges. Within a few chapters (covering at minimum a couple of hundred years) their position declines from an initial ability to inherit land and lead tribes in a prophetic role, down to widespread subordination and exposure to rape, humiliation and death. In terms of historical periods, Judges spans the time from the end of the Late Bronze age through Iron I – exactly the time when images on material artefacts undergo a radical change. Does this reflect increasing situations of personal danger and social anarchy? Or substantial revisions in the framework and basic assumptions of society itself?

In terms of my own writing, In a Milk and Honeyed Land and Scenes from a Life are both set at the tail end of the Late Bronze. They present societies where women have defined and important social roles, and in Kephrath and her three sister towns, inheritance passes through the female line. Households are defined in terms of the mother of the house rather than the father. This reflects what we know of the Late Bronze Age from artefact and text. If I continue writing forwards in time then at some point this happy state has to decline… by the turn of the millennium, so far as we can tell, women in the Levant were routinely in a subservient and threatened position. But there are a lot of books between 1200 and 1000…

Writing about religion

I have been wanting for some time to do occasional posts on the subject of religion in the second millennium BCE. Today’s post is a general start, loosely based on the rather short piece I did for the Orangeberry blog tour (Orangeberry book tour main page, or more specifically a guest post at Just My Opinion)

In that among other things I wrote

I enjoy writing about religion, or more exactly, I enjoy writing about people who have a religious faith. It is simply not possible to write about most ages of past human experience without including the religious life somewhere. Too often in books you come across a few very simple, and in my view quite unrealistic stereotypes. So there is the rabid fundamentalist, who reacts with violence to anything that seems to threaten his or her world view. Or there is the ruthless cynic, who knows it’s all make-believe and just wants to exploit others. Or there is the naïve villager, who is duped and never questions the wider system. Or there is the wise sage who holds to personal spirituality without the inconvenient trappings of any specific religion.

Now, I have at various times in my life mixed with and known people of faith who belong to various different religions, and I have to say that these simple pictures do not do justice to most of them. In terms of religious faith as well as other areas of life, people are more complex, and more interesting, than these stereotypes. They have doubt as well as faith, selfish as well as noble motives, mixed feelings about the religious institution they belong to, and, usually, commitment to a specific form of religion rather than a vague abstraction. They are often keenly interested in other forms of religion as well as their own, even if they think that those are ultimately incorrect.

Castlerigg stone circle, Lake District, England

For today I want to think about the many facets of religious life. The one which seems most obvious, judging from some of the books I read, is that of doctrine. I suppose it seems easy to quantify and approach, and is frequently used as s soft target by hostile writers: “these simple deluded folk really believe that the world was made from a discarded banana skin” or some such. For writers of a scientific disposition, it may seem a natural way to define a religion.

But many people who are spiritually inclined are well aware that this is a very small part of the religious life. In actual fact, doctrine is a serious intellectual pursuit and is frequently, in part, hard to follow. It also typically, in recognition that both the universe and the human organism are fantastically complicated things, has ideas and concepts which at first sight appear completely contradictory. The Egyptians, along with other peoples, were fond of this, making the quest for “Egyptian theology” quite a fruitless one. Some religious traditions have deliberately used these oppositional ideas to try to jog people out of complacency.

But more to the point, doctrine is not the centrally important thing to most religious groups that some writers present it as. To be sure, some groups place a very high store on sound knowledge, but still only as one facet amongst a much larger whole. In the Late Bronze Age world that I write about, doctrine is almost invisible. Readers will get very little sense of the details of Canaanite or Egyptian thinking from my books. The “favourite” goddess in Kephrath is Taliy, hardly one of the better known members of the Canaanite pantheon. Makty-Rasut, the main character in Scenes from a Life, expresses personal devotion to Seshat – again a figure that I suspect most people will need to use Google to learn about!

The second main area that you often find explored in fiction is spiritual experience; this typically gets a positive press, as it seems not specifically to tie in with the details of religion – “Trust your feelings, Luke”. It is certainly true that people recount their personal encounters with the numinous in very similar ways, regardless of their specific personal tradition. It is also true that these experiences are, seemingly, accessible to all, and evidence suggests that many, perhaps most people experience something of this at least once during their lives. Such experiences may be triggered by prayer or praise, but also by natural beauty, or sex, or moments of altruism. But equally, people who experience these moments more than just once in a lifetime have usually been involved with a particular religious tradition for a long time, and are thoroughly steeped in its particular disciplines and habits of thought. Even Luke has to disappear for an unspecified period of time to become trained and effective.

But there are other dimensions of religion which are often overlooked by writers. One is that of personal devotion. It seems attractive to some people to write about big temple ceremonies and lavishly dressed priests or priestesses – but in an agricultural world with no mass transportation, such pilgrimages must have been extraordinarily rare. Social classes below the elite may never have experienced them. For most people, the religious dimension of their life would be expressed in the home, or the village, with their families, friends, or next-door neighbours. Archaeological evidence and ancient texts support each other here, and we have strong evidence of household-level observance of rites and duties. I have equipped Kephrath with a high place, a small stone circle within and around which both religious and social events happen. We know that most settlements in the ancient near east had such arrangements of stones, though we do not know the details of how they were used. Today’s “community centres”, so important to isolated immigrant groups at risk of losing their identity after moving to a new nation, serve a similar purpose of blending religious observance and social need. In the absence of a dedicated religious building, the community centre serves as the focal point. Makty-Rasut, in Scenes from a Life, has a small statue of Seshat that he carries with him as a personal focus for prayer and devotion wherever he is living.

And this brings me on to the final dimension of the religious life for today – the social aspects. For many people in today’s world, in many different religions, social dimensions are in fact the most important ones that define their identity. Many Jews, Christians, Moslems, Hindus, Buddhists, and so on find their main experience of religion in the intricate web of the society around them. Huge numbers of people now and in the past have identified their religion not by rational assent to a doctrine, nor by vivid personal experience, but by the intimacy of their social network, and the place they and their family hold within it. The shape of a society (or a sub-group within society) is fashioned as an expression of religious commitment. Professor Dunbar has written of the cohesive effect of religion within human society (see for example a presentation he gave at a debate on race, religion and inheritance) – and also questioned whether this can or should continue in the future. That is a subject for another post – for today it is enough to recognise the central place of social interactions within people’s religious life. One of the central difficulties Makty has to face, though he does not really know how to articulate this, is how to step outside his familiar social circle into a different world. His statue of Seshat serves as a link back to the world he has known.

Enough for today – in a while I shall be writing about how religion changed between the second millennium Bronze Age and the first millennium Iron Age.

Books on the Underground

I have previously posted about this scheme, in which authors contribute books which are marked with a distinctive sticker and then placed for public consumption on the London Underground. Loads of people read something on the Tube, if only the free Metro newspaper, so the scheme is a great idea. Check out the website http://booksontheunderground.tumblr.com/ for more details. Anyway, there have been two sightings of In a Milk and Honeyed Land in the last few days – at Earls Court on Monday, and Notting Hill Gate today. Let’s hope someone is enjoying the read…

Other news from the Orangeberry book tour –

  • An extract (first chapter) and brief description at The Book Connoisseur
  • An author interview and some blurb at The Reading Cat – the interview has some stuff about the forthcoming Scenes from a Life as well as more general things.

There’s more to come over the next few weeks… which should keep me quiet in between proof-reading and such like.

Orangeberry blog tour progress

Well, the Orangeberry tour is a few days in and so far there has been a variety of posts and the like. Before listing those, here’s a quick snap from the British Museum today (apologies for the slight glass reflection to be seen). This rather charming scene is of Nebamun’s anticipated garden in the afterlife, and as well as trees, fruit, birds etc features a goddess figure leaning out of one of the trees (top right) offering food and drink to Nebamun.

Nebamun garden scene

Anyway, the list of blog tour activities so far is as follows:

Full details of future items may be found at http://www.orangeberrybooktours.com/2013/09/ob-summer-sizzle-richard-abbott/.

Enjoy!